{"title":"Big Sale","description":null,"products":[{"product_id":"524-quad-voltage-controlled-low-frequency-oscillator","title":"Moon Modular - 524CP: Quad LFO","description":"\u003cp\u003eBrand New in box.\u003c\/p\u003e","brand":"Moon Modular","offers":[{"title":"Default Title","offer_id":8884384006191,"sku":"","price":310.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0020\/5199\/7743\/files\/524CP.jpg?v=1792089203"},{"product_id":"doepfer-a-130-voltage-controlled-amplifier","title":"Doepfer - A-130: Voltage Controlled Amplifier","description":"\u003cp\u003e\u003cstrong\u003eManufacturer Description\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003eModules a-130 and a-131 provide voltage-controlled amplification. for audio signals, you would normally use the exponential vca (a-131), and for control voltages, the linear vca (a-130). it doesn't always have to be that way, though.\u003cbr\u003e\u003cbr\u003e the amount of amplification the vcas provide is determined by the voltage at the cv input, and the position of the gain control, which sets the overall gain in the system.\u003cbr\u003e\u003cbr\u003e the vca has two audio inputs, each with an attenuator. they are amplified by an amount determined by the combination of the gain and the two cv controls.\u003cbr\u003e\u003cbr\u003e this module has a maximum current draw of 20ma. it requires 8 te\/hp worth of space to fit in a eurorack frame.\u003c\/p\u003e","brand":"Doepfer","offers":[{"title":"Default Title","offer_id":8884390101039,"sku":"","price":85.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0020\/5199\/7743\/products\/a130.jpg?v=1536181728"},{"product_id":"c105-vc-noise-lo-fi-machine","title":"Corsynth - C105 MKII: Voltage Controlled Noise \/ Lo-Fi Machine","description":"\u003cdiv\u003e\n\u003cb\u003eManufacturer Description\u003c\/b\u003e:\u003c\/div\u003e\n\u003cdiv\u003eThe \u003cstrong\u003eC105 VC Noise \/ Lo-Fi Machine MKII\u003c\/strong\u003e is a voltage controlled analog sample rate reducer and a VC Nosie generator. This new MKII version expands the modules possibilities with new features that allows this module to be used in other ways not possible with the previous version. Now the C105 MKII can be used like a traditional sample and hold , a voltage controlled clock generator , a random gate \/ trigger generator or a 12 db VC High pass filter and even as a square wave VCO.\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cstrong\u003eThe C105 new characteristics are :\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eThe internal clock has a new LOW mode that allows to use it as a traditional sample and hold.\u003c\/li\u003e\n\u003cli\u003eThe module now accepts external clock signals, so it can be synced to other modules.\u003c\/li\u003e\n\u003cli\u003eNew clock output. Now the C105 can be used as a master clock.\u003c\/li\u003e\n\u003cli\u003eThe passive first order HPF has been replaced for a voltage controlled second order HPF.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eThe C105 is based on a Sample and Hold with an internal clock that goes from 0,2Hz up to 44KHz and it can be voltage controlled. This wide frequency range and \u003cstrong\u003etwo FM inputs\u003c\/strong\u003e ( one with a reversible attenuator ) allow to create subtle or harsh digital and aliassing effects. The internal noise generator in combination with the S\u0026amp;H make a perfect way to create pitched noises, random voltages, sound FXs etc. In addition, there is also a \u003cstrong\u003e12db VC controlled high pass filter\u003c\/strong\u003e with an independent output.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe C105 can be used in many different ways:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cli\u003eSample rate reducer\u003c\/li\u003e\n\u003cli\u003eNoise generator\u003c\/li\u003e\n\u003cli\u003eVoltage controlled High pass filter\u003c\/li\u003e\n\u003cli\u003eRandom voltage generator\u003c\/li\u003e\n\u003cli\u003eRandom gate generator\u003c\/li\u003e\n\u003cli\u003eSample and Hold\u003c\/li\u003e\n\u003cli\u003eVC Clock\u003c\/li\u003e\n\u003cli\u003eSquare wave oscillator\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eThe Lo-Fi input is normalized to the internal noise generator.\u003c\/p\u003e\n\u003cp\u003eThe C105 Voltage Controlled Noise \/ Lo-Fi Machine MKII is built using high quality electronic components, \u003cstrong\u003eSwitchcraft \u003c\/strong\u003ejacks, \u003cstrong\u003eNKK \u003c\/strong\u003eswitches, \u003cstrong\u003eCosmo \u003c\/strong\u003eknobs (the same used in the Moog Modulars) , \u003cstrong\u003eblack anodized aluminium\u003c\/strong\u003e front panel.\u003c\/p\u003e\n \u003c\/div\u003e\n\u003cdiv\u003e\u003cb\u003eTechnical Data\u003c\/b\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eModule Format : \u003c\/strong\u003e5U, MU format ( Synthesizers.com, Moog )\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eModule Width : \u003c\/strong\u003e1 MU ( Moog Unit )\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePower : \u003c\/strong\u003e+15V@38mA , -15V@37mA\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePower connectors : \u003c\/strong\u003eSynthesizers.com , MOTM ( 4 pin )\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSignal level : \u003c\/strong\u003e 10Vpp ( +\/- 5V )\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\n\u003ciframe width=\"100%\" height=\"300\" scrolling=\"no\" frameborder=\"no\" allow=\"autoplay\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/playlists\/13451478\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\u0026amp;visual=true\"\u003e\u003c\/iframe\u003e\u003cdiv style=\"font-size: 10px; color: #cccccc;line-break: anywhere;word-break: normal;overflow: hidden;white-space: nowrap;text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif;font-weight: 100;\"\u003e\n\u003ca href=\"https:\/\/soundcloud.com\/corsynth\" title=\"Corsynth\" target=\"_blank\" style=\"color: #cccccc; text-decoration: none;\"\u003eCorsynth\u003c\/a\u003e · \u003ca href=\"https:\/\/soundcloud.com\/corsynth\/sets\/c105vcnoise\" title=\"Corsynth C105 MKII\" target=\"_blank\" style=\"color: #cccccc; text-decoration: none;\"\u003eCorsynth C105 MKII\u003c\/a\u003e\n\u003c\/div\u003e","brand":"Corsynth","offers":[{"title":"Default Title","offer_id":8884411433007,"sku":"","price":330.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0020\/5199\/7743\/products\/c105_mkii_2.png?v=1646356860"},{"product_id":"c108-dual-vca","title":"Corsynth - C108: Dual VCA","description":"\u003cp\u003e\u003cb\u003eManufacturer Description\u003c\/b\u003e\u003cspan\u003e:\u003c\/span\u003e\u003c\/p\u003e\n\u003cspan\u003eThe C108 Dual VCA is a dual voltage controlled amplifier with selectable linear and exponential response.\u003c\/span\u003e\u003cbr\u003e\n\u003cp\u003e\u003cbr\u003e\u003cspan\u003eVCAs are one of the most important modules in a modular synth. In addition to the more obvious use, that it’s volume control, a VCA allows to add voltage control to any modulation input helping to create more interesting and time evolving patches.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eFeatures:\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eA signal input.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eAn initial gain control.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eA voltage control input with a level potentiometer.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eA switch to select the VCA response, linear or exponential.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eAn output.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe VCAs in this module are not only attenuators, they can also boost the input signal. Using the initial gain potentiometer and a five volts CV signal, the VCA has a maximum gain of 2 (doubles the signal amplitude). This is very useful for signal processing or to boost external signals.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe C108 Dual VCA is built using high quality electronic components, Switchcraft jacks, Cosmo knobs (the same used by Moog Modular) , anodized aluminum front panel.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eTechnical Data:\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eModule Format : 5U, MU format ( Synthesizers.com, Moog )\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eModule Width : 1 MU ( Moog Unit )\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eModule Depth : 52 mm ( 2,05 inches )\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ePower : +15V@32mA , -15V@35mA\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ePower connectors : Synthesizers.com , MOTM ( 4 pin )\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eVCA Maximum Gain : without using CV maximum gain 1 , using CV maximum gain 2\u003c\/span\u003e\u003c\/p\u003e","brand":"Corsynth","offers":[{"title":"Default Title","offer_id":8884411531311,"sku":"","price":269.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0020\/5199\/7743\/products\/c108_dual_vca.png?v=1646357340"},{"product_id":"a-118v","title":"Doepfer - A-118V: Noise \/ Random","description":"\u003cp\u003e\u003cb\u003eManufacturer Description\u003c\/b\u003e:\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eModule A-118 is (as you might have guessed) a noise and random voltage generator. It produces three types of signal: white noise, colored noise, and random voltage. The noise signal is generated 100% analog by amplification of the noise of a transistor. White and colored noise can be used as audio sources, and also, in conjunction with a sample \u0026amp; hold module, as control voltages, and the random voltage is a useful source of voltage control, especially for its low frequency content. The A-118 gives you the ability to mix the relative amounts of Red (low frequency component) and Blue noise (high frequency component) in the colored noise output. There are knobs to control the rate of change and amplitude of the random voltage, and two LEDs indicate the state of the voltage at any one time.\u003cbr\u003e\u003cbr\u003eWidth: 8TE \/ 8HP \/ 40.3 mm\u003cbr\u003eDepth: 40 mm (measured from the rear side of the front panel)\u003cbr\u003eCurrent: +20mA (+12V) \/ -10mA (-12V)\u003c\/p\u003e","brand":"Doepfer","offers":[{"title":"Default Title","offer_id":8884422803503,"sku":"","price":104.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0020\/5199\/7743\/products\/a118.jpg?v=1536163149"},{"product_id":"a-138bv","title":"Doepfer - A-138BV: Mixer","description":"\u003cp\u003e\u003cb\u003e\u003c\/b\u003e\u003cb\u003eManufacturer Description\u003c\/b\u003e:\u003c\/p\u003e\n\u003cp\u003eModule A-138 is a four channel mixer, which can be used with either control voltages or audio signals. Each of the four inputs has an attenuator, and there's a master attenuator, so that the mixer can be used at the end of the audio chain - ie. it can be used to interface directly with an external mixer, amplifier, etc.\u003cbr\u003e\u003cbr\u003eA-138 b: potentiometers with logarithmic response, so especially suitable for audio signal mixing.\u003cbr\u003e\u003cbr\u003eWidth: 8 TE \/ 8HP \/ 40.3 mm\u003cbr\u003eDepth: 35 mm (measured from the rear side of the front panel)\u003cbr\u003eCurrent: +10mA (+12V) \/ -10mA (-12V)\u003c\/p\u003e","brand":"Doepfer","offers":[{"title":"Default Title","offer_id":8884422869039,"sku":"","price":92.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0020\/5199\/7743\/products\/a138b_389632e4-4cce-4aa7-8901-539f27d35e6c.jpg?v=1536163464"},{"product_id":"a-139-2","title":"Doepfer - A-139-2: Headphone Amplifier","description":"\u003cp\u003e\u003cb\u003eManufacturer Description\u003c\/b\u003e\u003cspan\u003e:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003etwo-channel headphone amplifier\u003cbr\u003e \u003cbr\u003e    two audio inputs with level controls\u003cbr\u003e \u003cbr\u003e    Input 1 is normalled to Input 2\u003cbr\u003e \u003cbr\u003e    common loudness\/master level control\u003cbr\u003e \u003cbr\u003e    headphone output (stereo 1\/4\" jack socket)\u003cbr\u003e \u003cbr\u003e    max. output power ~ 2 W per channel (@ 8 Ohm load)\u003cbr\u003e \u003c\/p\u003e\n\u003cp\u003eDC coupled inputs and outputs (i.e. also useful for other applications like small loudspeakers, lamps, LEDs, magnets, motors - provided that the power is sufficient)\u003c\/p\u003e","brand":"Doepfer","offers":[{"title":"Default Title","offer_id":8884440498223,"sku":"","price":81.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0020\/5199\/7743\/products\/a-139-2.jpg?v=1536182916"},{"product_id":"corsynth-c101b-ota","title":"Corsynth - C101B: OTA Lowpass Filter","description":"\u003cp\u003e\u003cstrong\u003eManufacturer Description:\u003c\/strong\u003e\u003c\/p\u003e\nThe C101B OTA Lowpass filter is a low pass filter based on four cascade OTA-stages. This OTA filter design can be found in many classic synthesizers like Roland Jupiter 8, Roland Juno 60, Roland System 100m, Roland SH-1, SH-7, SH-101, Roland System 700, Jen SX1000 and many more. \u003cbr\u003e\n\u003cp\u003e\u003cbr\u003eC101B main characteristics \u003cbr\u003e\u003cbr\u003eTwo filter outputs with 6db and 24db response\u003cbr\u003e\u003cbr\u003eVoltage controlled resonance\u003cbr\u003e\u003cbr\u003eThree modulation inputs ( one with an attenuverter )\u003cbr\u003e\u003cbr\u003eOne audio input\u003cbr\u003e\u003cbr\u003eGain compensation circuit for the 24db output. \u003cbr\u003e\u003cbr\u003eBetter bass response and no more volume drop when you turn up the resonance.\u003cbr\u003e\u003cbr\u003eThis gain compensation can be deactivated.\u003cbr\u003e\u003cbr\u003eFilter self oscillate and can be used as VCO ( 1V\/Octave )\u003cbr\u003e\u003cbr\u003eTemperature compensated\u003c\/p\u003e","brand":"Corsynth","offers":[{"title":"Default Title","offer_id":9010964856879,"sku":"","price":315.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0020\/5199\/7743\/products\/C101B.jpg?v=1534819160"},{"product_id":"doepfer-a-180-3","title":"Doepfer - A-180-3","description":"\u003cdiv\u003e\n\u003cstrong\u003eManufacturer Description\u003c\/strong\u003e: \u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eModule A-180-3 is a dual buffered 1-in-3 multiple. The signal applied to the input socket appears as a buffered signal at the three output sockets. Each output has it's own buffer, i.e. the three output sockets are not simply connected to each other. The lower output of the upper unit is normalled in the factory to the input of the lower unit. That way the module works as a single 1-in-6 buffered multiple provided that no signal is applied to the input of the lower unit. But it's also possible to pick-up the bus CV and normalize the input socket of the lower unit to the bus CV.\u003c\/span\u003e\u003c\/div\u003e","brand":"Doepfer","offers":[{"title":"Default Title","offer_id":9484643237935,"sku":"","price":69.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0020\/5199\/7743\/products\/a-180-3.jpg?v=1538232899"},{"product_id":"kilpatrick-audio-k4816-pattern-generator","title":"Kilpatrick Audio - K4816 [Buchla Compatible]","description":"\u003cp\u003e\u003ciframe src=\"https:\/\/www.youtube.com\/embed\/Qc5-YPoFIog\" width=\"560\" height=\"315\"\u003e\u003c\/iframe\u003e \u003ciframe src=\"https:\/\/www.youtube.com\/embed\/5G54_CpSlac\" width=\"560\" height=\"315\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eK4185 Pattern Generator\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eManufacturer Description\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003eBuilding on the success of the K4815 Pattern Generator originally designed for Eurorack, the K4816 offers \u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003e4U 1.2v\/oct\u003c\/strong\u003e\u003c\/span\u003e users this amazing module with a design optimised for this high-end format. The K4816 Pattern Generator by Kilpatrick Audio packs incredible power into a single space module. The K4816 can produce notes and varying control voltages for a wide range of musical and experimental sound applications. Its unique approach to music creation is sure to have you finding new melodies and rhythms never heard before. Unlike a step sequencer, where the player picks each note in a sequence, the K4816 creates sequences by combining a scale, a visual pattern (as shown on the display) and a sequence playback motion to determine the rhythms and notes that are actually played. Other parameters can adjust the note and sequence length, as well as the transposition, direction of playback, and so on.\u003c\/p\u003e\n\u003cp\u003eIn addition to features found on the original K4815 Pattern Generator, the K4816 adds new CV inputs: Pattern Type, Motion Start and Motion Length. These allow unprecedented real-time control over the playback position and currently enabled spaces on the grid. The Offset In allows for easy mixing of an external voltage with the CV output for FM and other effects. And the clock Start, Continue and Stop jacks provide pulse inputs for controlling the clock and resetting playback position. You can even control the internal high-stability clock generator via analog pulses or MIDI.\u003c\/p\u003e\n\u003cp\u003eThe K4816 is also fully MIDI compatible. With a built-in MIDI interface and extensive MIDI implementation, the K4816 can bridge the gap between analog and MIDI control. For instance, clock control pulses generate MIDI clock messages automatically. And the Motion Start, Motion Length and Pattern Type inputs generate MIDI control change messages on the MIDI out jack, and these parameters respond to MIDI too. You can also use a MIDI keyboard to start, stop and transpose the patterns in realtime and reverse the playback direction. In X\/Y output mode you can generate control change messages and stepped voltages instead of notes.\u003c\/p\u003e\n\u003ch3\u003ePattern Generation Concept\u003c\/h3\u003e\n\u003cp\u003eNew ways of creating melodies and control signals help to break new ground in music and sound. The K4816 helps you explore new melodies and rhythms using a unique concept of generating patterns. Unlike random pattern generators or ones based on various mathematical concepts, the K4816 bases its music-making foundation on simple scales, visually-designed patterns, and intellectually-designed motions. These three elements can be controlled by the player in realtime to create an enormous variety of sounds. And it is done in a visual way that is fun to use. Everything happens on the 8x8 LED matrix, which is both a visual indicator and a conceptual view of how the system works internally. Scales, patterns and motions are all mapped to points on the matrix, which show in realtime exactly what is happening.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eThe K4816 concept can be thought of as three distinct layers:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003eScales\u003c\/b\u003e - Underneath the 8x8 LED matrix are the notes which are assigned to each of the 64 points on the grid. The selected scale can be major or minor, large or small. These are selected with the \u003cb\u003emaj\/min\u003c\/b\u003e and \u003cb\u003elarge\/small\u003c\/b\u003e switches. Only four choices might seem like a limitation, but what happens on the other two layers ultimately affects the rhythms and melodies that are produced.\u003c\/li\u003e\n\u003cli\u003e\n\u003cb\u003ePatterns\u003c\/b\u003e - Patterns are visually designed icons, symbols and patterns which define which notes will play. They are shown in the background at all times. There are 32 patterns which can be selected with the \u003cb\u003ePATTERN TYPE\u003c\/b\u003e knob or an external voltage. If a point on the 8x8 LED matrix is lit, the underlying scale note is active. If the playback ball lands on that point, its note will play.\u003c\/li\u003e\n\u003cli\u003e\n\u003cb\u003eMotions\u003c\/b\u003e - Motions define how a sequence is played. Each motion defines up to 64 steps in a sequence. Each step can land on any of the points on the 8x8 LED matrix. If a step lands on a point which is lit, a note will play. There are 64 different motions, some sequential and musically-designed, and others more abstract or geometrically-designed. By using MIDI it is possible transpose the scale, and also to start and stop motion playback with note commands, changing the K4816 into a special type of auto-arpeggiator.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eThe K4816 Pattern Generator is only available for a limited time. Special thanks to Hugh, wizard \u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003e4U 1.2v\/oct\u003c\/strong\u003e\u003c\/span\u003e user and collaborator who encouraged and helped to make this special module possible.\u003c\/p\u003e\n\u003ch2\u003eFeatures and Specs\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003e4U 1.2v\/oct\u003c\/strong\u003e\u003c\/span\u003e form-factor with 7\" height, 1 space (4.25\") wide\u003c\/li\u003e\n\u003cli\u003eMusical note, control and clock signals generated using unique methods\u003c\/li\u003e\n\u003cli\u003e64 LED (8x8) multi-brightness grid to show patterns and status\u003c\/li\u003e\n\u003cli\u003eClock control via internal clock, or external MIDI or analog clock\u003c\/li\u003e\n\u003cli\u003eClock, Direction, Start, Continue and Stop inputs (10V pulses, or 10V held for Direction)\u003c\/li\u003e\n\u003cli\u003eMotion Start, Motion Length, and Pattern Type CV inputs (0-10V range)\u003c\/li\u003e\n\u003cli\u003eOffset Input actively mixes (analog) with CV\/X output for transposition or modulation\u003c\/li\u003e\n\u003cli\u003eCV\/GATE or X\/Y analog outputs (0V to 10V range)\u003c\/li\u003e\n\u003cli\u003eCV is 1.2V\/octave - 8 octave range\u003c\/li\u003e\n\u003cli\u003eGATE supports \u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003e4U 1.2v\/oct\u003c\/strong\u003e\u003c\/span\u003e -style trigger pulse \/ sustain waveform for controlling 281, etc.\u003c\/li\u003e\n\u003cli\u003eBuilt-in MIDI input supports note, CC and clock control over MIDI\u003c\/li\u003e\n\u003cli\u003eBuilt-in MIDI output to drive synths and sequencers, and use as a CV to MIDI interface\u003c\/li\u003e\n\u003cli\u003eComes equipped with a \u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003e4U 1.2v\/oct\u003c\/strong\u003e\u003c\/span\u003e power cable - requires +15V, -15V and +5V for operation\u003c\/li\u003e\n\u003cli\u003eDesigned and made in Canada using high quality parts.\u003c\/li\u003e\n\u003cli\u003eWarranty: 1 year\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Kilpatrick Audio","offers":[{"title":"Default Title","offer_id":9647754084399,"sku":"","price":699.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0020\/5199\/7743\/products\/K4816-pattern_generator-buchla.jpg?v=1541206476"},{"product_id":"doepfer-a-105-4-quad-poly-vcf","title":"Doepfer - A-105-4: Quad Poly VCF","description":"\u003cdiv\u003e\n\u003cstrong\u003eManufacturer Description\u003c\/strong\u003e:\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eA-105-4 is our first polyphonic filter and contains four identical 24dB Lowpass filters (SSM2044 type). It has available common manual controls and CV inputs with attenuators for these parameters.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cspan\u003eThe module has these controls and in\/outputs are available:\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003eFrequency F \u003c\/span\u003e\u003cspan\u003e (manual control)\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003eFrequency Modulation Intensity FM \u003c\/span\u003e\u003cspan\u003e (manual control)\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003eResonance Q \u003c\/span\u003e\u003cspan\u003e (manual control)\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003eAudio Input Level L \u003c\/span\u003e\u003cspan\u003e (manual control)\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003eCVF control (attenuator for Frequency Control Voltage CVF)\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003eCVFM control (attenuator for Frequency Modulation Control Voltage VCFM)\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003eCVQ control (attenuator for Resonance Control Voltage CVQ)\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003eCVL control (attenuator for Level Control Voltage CVL)\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003eCVF socket (Frequency Control Voltage CVF)\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003eCVFM socket (Frequency Modulation Control Voltage VCFM)\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003eCVQ socket (Resonance Control Voltage CVQ)\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003eCVL socket (Level Control Voltage CVL)\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003eFM Input 1 - 4 \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003eAudio Input 1 - 4\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003eAudio Output 1 - 4\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan\u003eEach filter has available a separate FM input as well as an Audio Input and Output. The FM input is typically connected to the output of the associated envelope generator (e.g. A-141-4). The envelope amount for all four filters is controlled by the FM knob and the CVFM input by means of four built-in VCAs, which are controlled by the FM control and CVFM input. This allows also voltage control of the envelope amounts. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIn addition common frequency modulation for all filters is possible (e.g. by an LFO). For this the CVF input with attenuator can be used. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe range of the audio input level control (L) allows also clipping\/distortion with typical A-100 audio levels (e.g. from A-111-4) at the filter inputs. Even this parameter is voltage controllable as well as the resonance (Q). \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eApplication: polyphonic patches (four VCFs with same parameters)\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Doepfer","offers":[{"title":"Default Title","offer_id":9838608384047,"sku":"","price":305.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0020\/5199\/7743\/products\/A1054.jpg?v=1545177114"},{"product_id":"leploop-arpopone","title":"LEP - Arpopone [Desktop]","description":"\u003cp\u003e\u003cstrong\u003eArpopone \u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e...is a simple melody\/bass line generator with a chord and rhythmic section. It is based on analog ramp divider, similar to those used for Multicassa which are inspired by Oskar Sala's Mixturtrautonium, an early electronic musical instrument.\u003c\/p\u003e\n\u003cp\u003eEach divider generates a voltage ramp starting from a master clock (internal or external) a potentiometer is used to set the number of steps and thus the division ratio with a minimum of 1, there are ten of such dividers in the different sections of the instrument:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e2 for the rhythmic section (trigger pulses 1 \u0026amp; 2)\u003c\/li\u003e\n\u003cli\u003e2 for the scale generator, these have a ramp output that forms the melody line\u003c\/li\u003e\n\u003cli\u003e6 for the audio dividers, the 2 prescalers are chained with 4 note dividers, one for bass and 3 for chords.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eA further divider comes into play if external clock is selected, in this case the BPM control acts as a clock divider making possible the synchronization with other instruments (at maximum speed divider=1).\u003c\/p\u003e\n\u003ch2\u003eSpecs\u003c\/h2\u003e\n\u003cp\u003ePower also non-stablized 12 volts + central tip.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e**Units include power supplies**\u003c\/strong\u003e\u003c\/p\u003e","brand":"LEP","offers":[{"title":"Default Title","offer_id":35290284589213,"sku":"","price":399.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0020\/5199\/7743\/files\/Arpopone.jpg?v=1776727572"},{"product_id":"doepfer-a-108","title":"Doepfer - A-108","description":"\u003cp\u003eModule A-108 is a completely new voltage-controlled low pass pass filter based on the well-known transistor ladder (Moog ladder).\u003c\/p\u003e\n\u003cp\u003eThe module has internally an 8 stage low pass filter with different slopes available: 6, 12, 18, 24, 30, 36, 42 and 48 dB per octave. In addition it features an band pass output (i.e. band pass with transistor ladder). In the factory the 4 low pass outputs of the A-108 are internally connected to the filter stages 6, 12, 24 and 48dB. From our first A-108 audio tests this seems to be the best output combination as these outputs generate audible different sounds. E.g. the audible difference between the 48dB and 42dB or between 42dB and 36dB is very little. But if desired any of the filter stages can be connected to one of the outputs.\u003c\/p\u003e\n\u003cp\u003eRemark: Only 4 output stages are available as this seems to be sufficient from our experiences. In the factory the out stages are connected to the filter stages with 6, 12, 24 and 48 dB slope. By changing the internal connections (jumpers or wires) each of the filter stages can be used but only four at a time. Even a multi-way switch could be used but from our results the factory setting (6\/12\/24\/48dB) is the best combination for musical applications. From our experience it would e.g. make not much sense to have 30dB, 36dB, 42dB and 48dB available simultaneously - but if desired one could have this combination avaiable.\u003c\/p\u003e\n\u003cp\u003eResonance (Emphasis or Q ) can be adjusted manually right up to self-oscillation, in which case the filter will behave like a sine wave oscillator. The A-108 features an external feedback input that enables the insertion of additinal modules into the feedback path (e.g. VCA for voltage controlled resonance or phaser\/frequency shifter for phase\/frequency shifting effects). The socket is normalized and internally connected to the 48dB low pass output if no cable is inserted into the feedback socket. The frequency can be adjusted manually, or by voltage control. Three CV inputs (CV1, CV2, CV3) are available. CV2 and CV3 are eqipped with attenuators.\u003c\/p\u003e\n\u003cp\u003eThe filter audio input is very sensitive so that distortion - if desired - is possible even with normal A-100 levels (e.g. VCO output). Self oscillation will break off at high distortion levels as the internal feedback signal is drown out by the distorted audio signal. This feature may intentionally be used to create new sounds. In combination with the Voltage Controlled Mixer A-135 and the Morphing Controller A-144 a filter with voltage controlled slope can be realized (i.e. controlling the slope from 6dB to 48dB via CV).\u003c\/p\u003e\n\u003chr class=\"line\"\u003e\n\u003cp\u003ePower consumption: 40mA at +12V and 40mA at -12V\u003c\/p\u003e\n\u003cp\u003eDepth: 75mm\u003c\/p\u003e\n\u003cp\u003eHP : 12\u003c\/p\u003e","brand":"Doepfer","offers":[{"title":"Default Title","offer_id":37703610237098,"sku":"","price":207.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0020\/5199\/7743\/products\/A-108.jpg?v=1607371148"},{"product_id":"northern-light-modular-evenmidi-4u-model-2em","title":"NLM – Model 2EM EvenMidi [Buchla Compatible]","description":"\u003cp\u003eNorthern Light Modular!\u003c\/p\u003e\n\u003cp\u003eBuchla Format midi encoder tailored to Eventide, Strymon and other midi controllable effect processors or synthesizers.\u003c\/p\u003e\n\u003cp\u003ePairs excellently with the 2H9 4U module but also controls any midi CC driven unit , external or VST synth and effect\u003c\/p\u003e\n\u003cp\u003e10 channel CV to midi controller with presets matching the H9,  Strymon Volante, Kilpatrick Redox Strymon BigSky\/TimeLine and more\u003cbr\u003e10 controls for direct control of any mapped parameter\u003cbr\u003e10 CV inputs to animate those controls\u003cbr\u003e10 attenuverters to scale the incoming CV positively or negatively\u003c\/p\u003e\n\u003cp\u003eExpression pedal input for hands free control\u003c\/p\u003e\n\u003cp\u003eUp to 4 Midi devices can be controlled simultaneously in live-mode\u003cbr\u003eVSTs, external synths and everything else that takes midi in can be modulated directly by the CV of your Buchla system\u003c\/p\u003e\n\u003cp\u003e6 banks , 5 loaded with presets, 4 user configurable.\u003c\/p\u003e\n\u003cp\u003eMIDI CC, Note ON\/OFF, Velocity, Aftertouch and MIDI CLOCK generation from LFOs, pulses or any other signal.\u003c\/p\u003e\n\u003ch3\u003e\u003cem\u003e\u003cstrong\u003e\u003ca href=\"https:\/\/drive.google.com\/file\/d\/1vxTSogcMb87QnA9TSV4UHhFtcuXJuIrm\/view?usp=sharing\" target=\"_blank\"\u003eLatest Firmware V1.8.5\u003c\/a\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/em\u003e\u003c\/h3\u003e\n\u003ch3\u003e\u003cem\u003e\u003cstrong\u003e\u003ca href=\"https:\/\/drive.google.com\/file\/d\/1b4ETtsOntUS8P3VFbVH33JgtatRU1Hsg\/view?usp=sharing\" target=\"_blank\"\u003eFirmware updater (WIN)\u003c\/a\u003e\u003c\/strong\u003e\u003c\/em\u003e\u003c\/h3\u003e","brand":"Northern Light Modular","offers":[{"title":"Default Title","offer_id":37768201928874,"sku":"","price":975.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0020\/5199\/7743\/products\/NLM2EM.jpg?v=1608603565"},{"product_id":"doepfer-a-101-1v","title":"Doepfer - A-101-1V","description":"\u003cp data-mce-fragment=\"1\"\u003eThis is the first vactrol based module in the A-100 system.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eA vactrol is a combination of a light depending resistor (LDR) and a LED (light emitting diode) both put into a small light-proof case. Increasing the LED brightness causes a decrease of the LDR resistance (e.g. the light controlled voltage module A-179 is an application of a LDR). This effect can be used in circuits that require variable resistors to obtain the desired function (e.g. VCFs, VCAs, VC phasers, VC trigger delays, VC slew limiters, VC Envelope Generators, VC LFOs, VCOs and many more). The advantage of vactrols compared with other solutions (e.g. OTAs, diodes, transistors or FETs as variable resistors) is that they behave like a normal Ohm resistor and can handle high voltages without causing distortion. This is probably the reason why the sound of vactrol-based circuits usually is described as soft or mellow. Disadvantages are the expenditure and consequently the expenses and the not exactly defined coherence between LED current and LDR resistance.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eFor each vactrol the LDR resistance decreases when the LED current increases but mechanical and electrical tolerances cause that each vactrol will behave a bit different (e.g. because of the differences in alignement and distance between LED and LDR, different brightness of the LEDs at the same current).\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eModule A-101-1 is a special multitype filter based on an idea by Nyle A. Steiner. The circuit uses the standard non-inverting amplifier filter design. Different filter types (low pass \/ LP, band pass \/ BP, high pass \/ HP) are realized by injecting the audio signal into different points of the circuit and using a common output for all filter types. One may feed three different audio signals into the filter simultaneously. Each signal is filtered correspondingly (LP resp. BP resp. HP) and the sum of the three filtered signals appears at the output. Of course it is possible to feed the same signal to all three inputs. In this case one obtains different combinations of LP\/BP\/HP according to the settings of the three input attenuators for LP\/BP\/HP. Even a Notch filter is possible (not available in the original design). The filter inputs are normalled, i.e. the BP input is connected to the LP jack socket provided that no cable is plugged into the BP socket (same applies for HP\/BP inputs).\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eIn contrast to the original circuit vactrols are used instead of diodes as variable resistors for frequency control of the filter. Due to the\"crooked\" response of vactrols the filter has not an exact frequency control standard (like V\/Oct). The inevitable tolerances between different vactrols will lead to an individual sound of each module and individual resonance behaviour. Even the resonance control is realized with vactrols. Consequently this parameter is voltage controlled, too. Resonance can be increased up to self-oscillation. Resonance and consequently self-oscillation may vary with the filter frequency because of vactrol tolerances.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eA special feature of the module are the two audio outputs. Out 1 is the output of the original circuit. In the original circuit by Nyle A. Steiner the output level was distinctly dependent upon the resonance (higher resonance = higher output level). Out 2 compensates this behaviour by the usage of an additional vactrol that is connected in series to the vactrol that controls the resonance. This additional vactrol forms an attenuator (or simple VCA) that approximately compensates the level increase for higher resonance settings.\u003c\/p\u003e\n\u003chr class=\"line\" data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003ePower consumption: 30mA at +12V and 30mA at -12V\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eDepth: 50mm\u003c\/p\u003e\nHP : 16","brand":"Doepfer","offers":[{"title":"Default Title","offer_id":39706165018794,"sku":"","price":207.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0020\/5199\/7743\/products\/a-101-1v.jpg?v=1619034690"},{"product_id":"nlm-hmm2","title":"NLM - hMM2 H-Module [Buchla Compatible]","description":"\u003cp\u003e4 channel 16x gain mixer with selectable routing into a distortion stage\u003c\/p\u003e\n\u003cp\u003eA 2164 based 4 channel mixer with extra spice added by the WaveMorpher borrowed from the RSF Kobol.\u003cbr\u003eThe mixer has 4 audio inputs , 4 linear CV controlled VCAs and a dedicated  Morpher section .\u003cbr\u003eThe Morpher has its own output and can be fed back into another channel of the mixer.\u003c\/p\u003e\n\u003cp\u003eThe new version adds dedicated VCA outputs for each channel , a mute position for the routing switch, LED level indication for both offset and CV plus new panel graphics.\u003c\/p\u003e\n\u003cp\u003eEvery input has unity gain at the 12 o’clock position (detent) and 2x gain at fully CW.\u003cbr\u003eChannel cascading allows for 16x gain which is perfect to boost low level Buchla signal to Eurorack or feed high impedance sources like the 2SR and the clock detector of the 2OC\u003c\/p\u003e\n\u003cp\u003eThe h series modules require a h bracket to be mounted in a 1U space\u003c\/p\u003e","brand":"Northern Light Modular","offers":[{"title":"Default Title","offer_id":41835829166250,"sku":"","price":525.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0020\/5199\/7743\/products\/hMM2.jpg?v=1639012859"},{"product_id":"nlm-euem2-t","title":"NLM - euEM2 T [Buchla Compatible]","description":"\u003cp\u003eThe Eurorack version of the well known Evenmidi pedal controller for midi controllable effect processors or synthesizers.\u003c\/p\u003e\n\u003cp\u003eEnhanced ergonomic , upgraded interface elements, custom panels for multiple pedals\u003cbr\u003e Pairs excellently with the Strymon TimeLine by default but controls any midi CC driven unit.\u003c\/p\u003e\n\u003cp\u003e10 channel CV to midi controller with presets matching the H9,  Strymon Volante, Kilpatrick Redox Strymon BigSky, TimeLine and more\u003cbr\u003e 10 controls for CV offset\u003cbr\u003e 10 CV inputs to animate those controls\u003cbr\u003e 10 attenuverters to limit the CV positively or negatively\u003cbr\u003e Up to 4 Midi devices can be controlled simultaneously in live-mode\u003cbr\u003e VSTs, external synths and everything else that takes midi in can be controlled directly by the CV of your Eurorack system\u003c\/p\u003e\n\u003cp\u003e6 banks , 5 loaded with presets, 4 user configurable.\u003c\/p\u003e\n\u003cp\u003eMIDI CC, Note ON\/OFF, Velocity, Aftertouch and MIDI CLOCK generation from LFOs, pulses or any other signal.\u003c\/p\u003e","brand":"Northern Light Modular","offers":[{"title":"Default Title","offer_id":41836047368362,"sku":"","price":499.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0020\/5199\/7743\/products\/euEM2T-1.jpg?v=1639014839"},{"product_id":"nlm-euem2-b","title":"NLM - euEM2 B [Buchla Compatible]","description":"\u003cp\u003eThe Eurorack version of the well known Evenmidi pedal controller for midi controllable effect processors or synthesizers.\u003c\/p\u003e\n\u003cp\u003eEnhanced ergonomic , upgraded interface elements, custom panels for multiple pedals\u003cbr\u003e Pairs excellently with the Strymon BigSky by default but controls any midi CC driven unit.\u003c\/p\u003e\n\u003cp\u003e10 channel CV to midi controller with presets matching the H9,  Strymon Volante, Kilpatrick Redox, Strymon BigSky,TimeLine and more\u003cbr\u003e 10 controls for CV offset\u003cbr\u003e 10 CV inputs to animate those controls\u003cbr\u003e 10 attenuverters to limit the CV positively or negatively\u003cbr\u003e Up to 4 Midi devices can be controlled simultaneously in live-mode\u003cbr\u003e VSTs, external synths and everything else that takes midi in can be controlled directly by the CV of your Eurorack system\u003c\/p\u003e\n\u003cp\u003e6 banks , 5 loaded with presets, 4 user configurable.\u003c\/p\u003e\n\u003cp\u003eMIDI CC, Note ON\/OFF, Velocity, Aftertouch and MIDI CLOCK generation from LFOs, pulses or any other signal.\u003c\/p\u003e","brand":"Northern Light Modular","offers":[{"title":"Default Title","offer_id":41836050186410,"sku":"","price":499.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0020\/5199\/7743\/products\/euEM2B.jpg?v=1639014892"},{"product_id":"sequential-ob-6-desktop","title":"Oberheim - OB-6 Desktop [DEMO]","description":"\u003ch3\u003eClassic Oberheim Sound — Made Portable\u003c\/h3\u003e\n\u003cp\u003eThis unit was opened and briefly demoed. Includes manufacturer warranty \u003c\/p\u003e\n\u003cp\u003eThe OB-6® desktop module is just as powerful and easy to use as its counterpart, the OB-6 Keyboard. The module has all of the same controls as the keyboard version and provides the same immediacy and ease of use. As with the OB-6 Keyboard, all parameters are at your fingertips, with full-sized knobs and switches and a comfortable, intuitive layout.\u003c\/p\u003e\n\u003cp\u003eHow does it sound? Massive — just like the keyboard, because on the inside, it’s exactly the same. The same analog signal path with discrete VCOs and VCFs. The same high-quality digital effects. The same classic Oberheim sound that has been earning raves from musicians around the world.\u003c\/p\u003e\n\u003cp\u003eWe’ve also added a poly chain feature so that any two OB-6s can be paired for twelve-voice polyphony!\u003c\/p\u003e\n\u003ch3\u003eTwo Legends. One Instrument\u003c\/h3\u003e\n\u003cp\u003eBoth the OB-6 desktop module and OB-6 keyboard are a once-in-a-lifetime collaboration between the two most influential designers in poly synth history, Dave Smith and Tom Oberheim. The OB-6 takes the classic bold Tom Oberheim sound — with its true voltage-controlled oscillators, 2-pole filter, and amplifiers — and adds modern enhancements such as studio-quality effects, a polyphonic step sequencer, an arpeggiator, and more. No other modern analog poly synth can boast such a pedigree or such a massive, in-your-face sonic signature.\u003c\/p\u003e\n\u003ch3\u003eVintage SEM Tone\u003c\/h3\u003e\n\u003cp\u003eThe OB-6 sound engine is inspired by Tom’s original SEM, the core of his acclaimed 4-voice and 8- voice synthesizers. It features two discrete voltage-controlled oscillators (plus sub-oscillator) per voice with continuously variable waveshapes (sawtooth and variable-width pulse, plus a triangle wave on oscillator 2). The classic Oberheim-inspired 2-pole, state-variable, resonant filter provides low-pass, high-pass, band-pass, and notch functionality. Voltage-controlled amplifiers complete the all-analog signal path.\u003c\/p\u003e\n\u003ch3\u003eDual Effects\u003c\/h3\u003e\n\u003cp\u003eThe dual effects section provides studio-quality reverbs, delays (standard and BBD), chorus, flangers, and faithful recreations of Tom’s original phase shifter and ring modulator. While the effects themselves are digital, with 24-bit, 48 kHz resolution, a true bypass maintains a full analog signal path.\u003c\/p\u003e\n\u003ch3\u003eX-Mod and Poly Step Sequencing\u003c\/h3\u003e\n\u003cp\u003eAlso present is X-Mod, which expands the tonal palette and makes it easy to create dramatic and unconventional sounds. Modulation sources are filter envelope and oscillator 2, both with bi-polar control. Destinations include oscillator 1 frequency, oscillator 1 shape, oscillator 1 pulse width, filter cutoff, and filter mode. The polyphonic step sequencer allows up to 64 steps and up to 6 notes per step. You can create sequences polyphonically, with rests, and sync to an external MIDI clock. The full-featured arpeggiator can be synced to external MIDI clock as well. Unison mode features configurable voice count (1-6 voices), chord memory, and key modes.\u003c\/p\u003e\n\u003ch3\u003eEasy to Program\u003c\/h3\u003e\n\u003cp\u003eThe knob-per-function front panel puts virtually all OB-6 functions at your fingertips. Included are 500 permanent factory programs and 500 rewritable user programs. Turning on the Manual button enables live panel mode, in which the sound of the OB-6 switches to its current front panel settings. In this state, what you see is what you hear.\u003c\/p\u003e\n\u003ch3\u003eEasy to Play\u003c\/h3\u003e\n\u003cp\u003eThis analog powerhouse is packed into a desktop module that’s small enough to fit in a backpack. It’s an ideal combination of portability and power for the project studio or the gigging musician.\u003c\/p\u003e\n\u003cdiv id=\"tab-specs_tab\" class=\"panel entry-content wc-tab\"\u003e\n\u003cdiv id=\"tab-specs_tab-specs\" class=\"interior-content\"\u003e\n\u003cdiv class=\"model-interior-details\"\u003e\n\u003ch3\u003eOB-6 Desktop Specifications\u003c\/h3\u003e\n\u003ch5\u003e\u003cstrong\u003eOSCILLATORS\u003c\/strong\u003e\u003c\/h5\u003e\n\u003cul\u003e\n\u003cli\u003eTwo discrete VCOs per voice\u003c\/li\u003e\n\u003cli\u003eContinuously variable wave shape (sawtooth and variable-width pulse, plus triangle on oscillator 2) per oscillator\u003c\/li\u003e\n\u003cli\u003ePulse width per oscillator\u003c\/li\u003e\n\u003cli\u003eHard sync: oscillator 1 syncs to oscillator 2\u003c\/li\u003e\n\u003cli\u003eSquare wave sub-octave generator (oscillator 1) per voice\u003c\/li\u003e\n\u003cli\u003eLow frequency mode (oscillator 2)\u003c\/li\u003e\n\u003cli\u003eKeyboard tracking on\/off (oscillator 2)\u003c\/li\u003e\n\u003cli\u003eOscillator detune amount for increased tuning instability, from subtle to extreme\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch5\u003e\u003cstrong\u003eMIXER\u003c\/strong\u003e\u003c\/h5\u003e\n\u003cul\u003e\n\u003cli\u003eOscillator 1 amount\u003c\/li\u003e\n\u003cli\u003eOscillator 1 sub-octave amount\u003c\/li\u003e\n\u003cli\u003eOscillator 2 amount\u003c\/li\u003e\n\u003cli\u003eWhite noise amount\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch5\u003e\u003cstrong\u003eSTATE-VARIABLE FILTER\u003c\/strong\u003e\u003c\/h5\u003e\n\u003cul\u003e\n\u003cli\u003eTwo-pole, resonant, filter per voice with low-pass, high-pass, band-pass, and notch functionality inspired by the original Oberheim SEM filter\u003c\/li\u003e\n\u003cli\u003eBi-polar filter envelope amount\u003c\/li\u003e\n\u003cli\u003eVelocity modulation of envelope amount\u003c\/li\u003e\n\u003cli\u003eKeyboard tracking: off, half, full\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch5\u003e\u003cstrong\u003eFILTER ENVELOPE\u003c\/strong\u003e\u003c\/h5\u003e\n\u003cul\u003e\n\u003cli\u003eFour-stage (ADSR) envelope generator\u003c\/li\u003e\n\u003cli\u003eVelocity modulation of envelope amount\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch5\u003e\u003cstrong\u003eAMPLIFIER ENVELOPE\u003c\/strong\u003e\u003c\/h5\u003e\n\u003cul\u003e\n\u003cli\u003eFour-stage (ADSR) envelope generator\u003c\/li\u003e\n\u003cli\u003eVelocity modulation of envelope amount\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch5\u003e\u003cstrong\u003eLOW FREQUENCY OSCILLATOR\u003c\/strong\u003e\u003c\/h5\u003e\n\u003cul\u003e\n\u003cli\u003eFive wave shapes: sine, sawtooth, reverse sawtooth, square, and random (sample and hold)\u003c\/li\u003e\n\u003cli\u003eClock sync (internal or external MIDI clock)\u003c\/li\u003e\n\u003cli\u003eInitial amount\u003c\/li\u003e\n\u003cli\u003eMod destinations: oscillator 1 frequency, oscillator 2 frequency, oscillator 1 and 2 pulse width, filter cutoff, filter mode, amp\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch5\u003e\u003cstrong\u003eX-MOD\u003c\/strong\u003e\u003c\/h5\u003e\n\u003cul\u003e\n\u003cli\u003eSources: filter envelope (bi-polar) and oscillator 2 (bi-polar)\u003c\/li\u003e\n\u003cli\u003eDestinations: oscillator 1 frequency, oscillator 1 shape, oscillator 1 pulse width, filter cutoff, filter mode, normal to bandpass filter\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch5\u003e\u003cstrong\u003eAFTERTOUCH\u003c\/strong\u003e\u003c\/h5\u003e\n\u003cul\u003e\n\u003cli\u003eSource: channel (mono) aftertouch with bi-polar amount\u003c\/li\u003e\n\u003cli\u003eDestinations: oscillator 1 frequency, oscillator 2 frequency, LFO amount, amplifier envelope amount, filter envelope amount, filter mode\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch5\u003e\u003cstrong\u003eCLOCK\u003c\/strong\u003e\u003c\/h5\u003e\n\u003cul\u003e\n\u003cli\u003eMaster clock with tap tempo\u003c\/li\u003e\n\u003cli\u003eBPM control and display\u003c\/li\u003e\n\u003cli\u003eMIDI clock sync\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch5\u003e\u003cstrong\u003eARPEGGIATOR\u003c\/strong\u003e\u003c\/h5\u003e\n\u003cul\u003e\n\u003cli\u003eSelectable note value: 16th note, 8th note triplet, 8th note, dotted 8th note, quarter note\u003c\/li\u003e\n\u003cli\u003eOne, two, or three octave range\u003c\/li\u003e\n\u003cli\u003eUp, down, up\/down, random, and assign modes\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch5\u003e\u003cstrong\u003eSEQUENCER\u003c\/strong\u003e\u003c\/h5\u003e\n\u003cul\u003e\n\u003cli\u003ePolyphonic step sequencer with up to 64 steps and rests\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch5\u003e\u003cstrong\u003eEFFECTS\u003c\/strong\u003e\u003c\/h5\u003e\n\u003cul\u003e\n\u003cli\u003eStereo analog distortion\u003c\/li\u003e\n\u003cli\u003eDual, 24-bit, 48 kHz digital effects, including: reverb (room, hall, plate, spring), delay (full bandwidth digital delay and emulated bucket brigade), chorus, flanger, phase shifters, and ring modulator\u003c\/li\u003e\n\u003cli\u003eDelay sync\u003c\/li\u003e\n\u003cli\u003eTrue bypass maintains fully analog signal path when digital effects are off\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch5\u003e\u003cstrong\u003ePERFORMANCE CONTROLS\u003c\/strong\u003e\u003c\/h5\u003e\n\u003cul\u003e\n\u003cli\u003eFull-sized, semi-weighted, 4-octave keyboard with velocity and aftertouch\u003c\/li\u003e\n\u003cli\u003eBacklit pitch and mod wheels\u003c\/li\u003e\n\u003cli\u003eSpring-loaded pitch wheel with selectable range per program (1 to 12 semitones up and down)\u003c\/li\u003e\n\u003cli\u003eTranspose controls for an 8-octave range\u003c\/li\u003e\n\u003cli\u003eHold switch latches held notes on\u003c\/li\u003e\n\u003cli\u003ePolyphonic portamento\u003c\/li\u003e\n\u003cli\u003eUnison (monophonic) mode with configurable voice count, from one to all six voices, chord memory, and key modes\u003c\/li\u003e\n\u003cli\u003eManual switch: when on, the front panel is live; what you see is what you hear\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch5\u003e\u003cstrong\u003ePATCH MEMORY\u003c\/strong\u003e\u003c\/h5\u003e\n\u003cul\u003e\n\u003cli\u003e500 user and 500 factory programs in 10 banks of 100 programs each\u003c\/li\u003e\n\u003cli\u003eDirect program access, including single-button access to the current set of 10 programs\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch5\u003e\u003cstrong\u003eIN\/OUT\u003c\/strong\u003e\u003c\/h5\u003e\n\u003cul\u003e\n\u003cli\u003eLeft\/mono and right audio outputs (2 x 1\/4” phone jack)\u003c\/li\u003e\n\u003cli\u003eHeadphone output (stereo, 1\/4” phone jack)\u003c\/li\u003e\n\u003cli\u003eMIDI in, out, and thru ports\u003c\/li\u003e\n\u003cli\u003eUSB for bidirectional MIDI communication\u003c\/li\u003e\n\u003cli\u003eFilter cutoff expression pedal input\u003c\/li\u003e\n\u003cli\u003eVolume expression pedal input\u003c\/li\u003e\n\u003cli\u003eSustain footswitch input\u003c\/li\u003e\n\u003cli\u003eSequencer start\/stop footswitch input\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch5\u003e\u003cstrong\u003ePOWER\u003c\/strong\u003e\u003c\/h5\u003e\n\u003cul\u003e\n\u003cli\u003eIEC AC power inlet for internal power supply\u003c\/li\u003e\n\u003cli\u003eOperates worldwide on voltages between 100 and 240 volts at 50 to 60 Hz; 30 watts maximum power consumption\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch5\u003e\u003cstrong\u003ePHYSICAL SPECS\u003c\/strong\u003e\u003c\/h5\u003e\n\u003cul\u003e\n\u003cli\u003e20.75” L x 7.8” W x 4.4″ H (52.0 cm x 19.8 cm x 11.2 cm)\u003c\/li\u003e\n\u003cli\u003e13.0 lbs (5.9 kg)\u003c\/li\u003e\n\u003cli\u003eWalnut end panels\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Oberheim","offers":[{"title":"Default Title","offer_id":41928728903850,"sku":"","price":2469.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0020\/5199\/7743\/products\/sequential_ob-6-desktop-2021_01.jpg?v=1640215152"},{"product_id":"nlm-2sa-200-series","title":"NLM - 2SA Space Arcade [Buchla Compatible]","description":"\u003cdiv class=\"product-short-description\"\u003e\n\u003cp\u003eA new take of the edgy, arcane, harsh and pumping pulse wave synth called “Edges” made once by Mutable Instruments\u003c\/p\u003e\n\u003cp\u003eThe 2AS at its core provides 4 fully CV-controlled 8-BIT chiptune style voices.\u003cbr\u003eEach voice has a pitch CV input , a gate , audio FM and a coarse pitch knob.\u003cbr\u003eThere is hard sync from 1to2 and ring mod from 1to2 and 1to3 available\u003cbr\u003eVoice 4 is a digital pseudo random noise generator\u003cbr\u003eAll outs are being summed in a diode clipper distortion stage and are limited to 1.7V\u003c\/p\u003e\n\u003cp\u003eAnd for the extra level of Space feeling we put in a powerful effect engine providing Reverb, Delay , a low pass filter and bitcrushing.\u003cbr\u003eThis engine is our first endeavor into the Daisy ecosystem and will only grow over time.\u003c\/p\u003e\n\u003cp\u003eWe also added Midi IN to play each voice with external keyboards or sequencers.\u003c\/p\u003e\n\u003cp\u003eMIDI Learn: Press this button and send a midi note. The device will use that channel as the base channel\u003cbr\u003eMIDI Mode: This button cycles between four operational modes.\u003c\/p\u003e\n\u003cp\u003e1. 4 single voices trigger on 4 midi channels starting on the base MIDI channel\u003cbr\u003e2. Full Poly mode where each voice plays on a different note on the same midi channel\u003cbr\u003e3. Limited Poly or Chord mode where only the first three voices are used\u003cbr\u003e4. UNISON .. all four voices play a monophonic but brutal crescendo\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Northern Light Modular","offers":[{"title":"Default Title","offer_id":44061912858794,"sku":"","price":899.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0020\/5199\/7743\/products\/2AS.1.2.1-1.jpg?v=1668738646"},{"product_id":"synthetic-sound-labs-modulation-orgy-lfo-model-226","title":"Synthetic Sound Labs - Modulation Orgy LFO – Model 2261 Black","description":"\u003ch1\u003e\u003cstrong\u003eSynthetic Sound Labs - Modulation Orgy LFO – Model 226\u003c\/strong\u003e\u003c\/h1\u003e\n\u003cp\u003eThe 2261 Modulation Orgy is a unique Low Frequency Oscillator (LFO) that offers unmatched modulation flexibility.  It features both manual and external voltage control over LFO Tempo (speed), tempo Multiplier, Waveform and Waveform Distortion.\u003c\/p\u003e\n\u003cp\u003eEight Waveforms are produced, including Sawtooth, Ramp, Rectangle, Triangle, Sine, Sweep, Lumps and Random with morphing between adjacent waves.  Waveforms may be further modified using the Wave Distort controls.\u003c\/p\u003e\n\u003cp\u003eAvailable with black or silver panels.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eJust over 10 years after the release of our original 2260 Modulation Orgy LFO, Synthetic Sound Labs have an \u003cb\u003e\u003cstrong\u003eupdated\u003c\/strong\u003e\u003c\/b\u003e and \u003cb\u003e\u003cstrong\u003eimproved\u003c\/strong\u003e\u003c\/b\u003e version.\u003c\/p\u003e\n\u003cp\u003eThe new \u003cb\u003e\u003cstrong\u003e2261 Modulation Orgy\u003c\/strong\u003e\u003c\/b\u003e has completely reimagined firmware that includes improvements such as waveform morphing and random wave slew. The new module width is now only 8 HP (half the width of its 16 HP predecessor) and is available with either black or silver faced panels.\u003c\/p\u003e\n\u003cp\u003eThe 2261 can produce 8 morphing waveforms, including a random (sample \u0026amp; hold) wave with variable slew.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eIt also includes a tempo multiplier. This is combined with the tapped tempo to allow the LFO frequency to be set at a multiple of the tapped rate. The available multipliers are 0.5, 1, 1.5, 2, 3, and 4. This allows half- and double-time, and triplet times.\u003c\/p\u003e\n\u003cp\u003eThe LFO tempo, multiplier, waveform selection, wave distortion, and output level are all voltage-controlled.\u003c\/p\u003e\n\u003cp\u003eThe LEVEL CV input responds linearly to 0 to +5V and is normalled to +5V so that with no input, the 2261 outputs are at maximum. This convenient input can frequently save a separate VCA when doing voltage controlled modulation depth.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eThe SYNC input can accept clock pulses from other equipment, which allows the 2261 to be synchronized to other devices. A CLOCK OUT which can be used to drive other equipment, allowing a tap-tempo controlled clock for an analog sequencer or drum machine, for example. A phase reset on the first tap to the tap tempo input allows you to keep the LFO on the beat with a single tap.\u003c\/p\u003e\n\u003cp\u003eIn all, we think you’ll find the 2261 Modulation Orgy to be the most fun you’ve ever had with a LFO!  More fun than a barrel of monkeys.\u003c\/p\u003e","brand":"Synthetic Sound Labs","offers":[{"title":"Default Title","offer_id":45134571569322,"sku":"","price":250.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0020\/5199\/7743\/files\/2261-Modulation-Orgy-Front-Black-800x251-1.png?v=1696986682"},{"product_id":"copy-of-synthetic-sound-labs-modulation-orgy-lfo-model-226-silver","title":"Synthetic Sound Labs - Modulation Orgy LFO – Model 2261 Silver","description":"\u003ch1 data-mce-fragment=\"1\"\u003e\u003cstrong\u003eSynthetic Sound Labs - Modulation Orgy LFO – Model 226\u003c\/strong\u003e\u003c\/h1\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe 2261 Modulation Orgy is a unique Low Frequency Oscillator (LFO) that offers unmatched modulation flexibility.  It features both manual and external voltage control over LFO Tempo (speed), tempo Multiplier, Waveform and Waveform Distortion.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eEight Waveforms are produced, including Sawtooth, Ramp, Rectangle, Triangle, Sine, Sweep, Lumps and Random with morphing between adjacent waves.  Waveforms may be further modified using the Wave Distort controls.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eAvailable with black or silver panels.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eJust over 10 years after the release of our original 2260 Modulation Orgy LFO, Synthetic Sound Labs have an \u003cb data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eupdated\u003c\/strong\u003e\u003c\/b\u003e and \u003cb data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eimproved\u003c\/strong\u003e\u003c\/b\u003e version.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe new \u003cb data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e2261 Modulation Orgy\u003c\/strong\u003e\u003c\/b\u003e has completely reimagined firmware that includes improvements such as waveform morphing and random wave slew. The new module width is now only 8 HP (half the width of its 16 HP predecessor) and is available with either black or silver faced panels.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe 2261 can produce 8 morphing waveforms, including a random (sample \u0026amp; hold) wave with variable slew.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eIt also includes a tempo multiplier. This is combined with the tapped tempo to allow the LFO frequency to be set at a multiple of the tapped rate. The available multipliers are 0.5, 1, 1.5, 2, 3, and 4. This allows half- and double-time, and triplet times.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe LFO tempo, multiplier, waveform selection, wave distortion, and output level are all voltage-controlled.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe LEVEL CV input responds linearly to 0 to +5V and is normalled to +5V so that with no input, the 2261 outputs are at maximum. This convenient input can frequently save a separate VCA when doing voltage controlled modulation depth.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe SYNC input can accept clock pulses from other equipment, which allows the 2261 to be synchronized to other devices. A CLOCK OUT which can be used to drive other equipment, allowing a tap-tempo controlled clock for an analog sequencer or drum machine, for example. A phase reset on the first tap to the tap tempo input allows you to keep the LFO on the beat with a single tap.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eIn all, we think you’ll find the 2261 Modulation Orgy to be the most fun you’ve ever had with a LFO!  More fun than a barrel of monkeys.\u003c\/p\u003e","brand":"Synthetic Sound Labs","offers":[{"title":"Default Title","offer_id":45134574092458,"sku":null,"price":250.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0020\/5199\/7743\/files\/modOrgy.png?v=1707520553"},{"product_id":"erica-synths-hexinverter-vcno","title":"Hexinverter - VCNO","description":"\u003cdiv class=\"article-body mt-3\"\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/qHPSP1lg1Fs?si=UXQQa4nSFJxrJHtl\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/div\u003e\n\u003cdiv class=\"article-body mt-3\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"article-body mt-3\"\u003eVCNO is a noise oscillator, capable of producing full spectrum white noise and various random signals. But that’s where its similarity to other noise generators stops. VCNO can be used like a VCO – you can modulate the pitch over CV and use its multiple outputs simultaneously, each with a distinct sonic character. As well, you can patch it into a VCA or use it to modulate and trigger other elements in your modular system.\u003c\/div\u003e\n\u003cdiv class=\"article-body mt-3 mb-3\"\u003e\n\u003ch3\u003eFeatures\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eNOISE is the main LFSR output. With the pitch knob turned fully clockwise this will output pure white noise. As you turn the pitch down, the noise evolves into crunchy noise, reminiscent of vintage video game sounds\u003c\/li\u003e\n\u003cli\u003eGATE is a DC-coupled output. This is perfect for supplying random triggers in your system\u003c\/li\u003e\n\u003cli\u003eSCREECH features a dark, howling overtone to the main NOISE output\u003c\/li\u003e\n\u003cli\u003eSIZZLE features a related control, which takes the output from pure white noise when turned fully clockwise to a vinyl-like crackle when turned anti-clockwise\u003c\/li\u003e\n\u003cli\u003eTEAR sounds like the noise generator is broken and tearing itself apart\u003c\/li\u003e\n\u003cli\u003eAll outputs work simultaneously and are simultaneously affected by the pitch knob or CV\u003c\/li\u003e\n\u003cli\u003eThe frequency of VCNO can be modulated via CV – just patch any CV signal into this jack\u003c\/li\u003e\n\u003cli\u003eA clock signal input bypasses the internal frequency generator. You can apply a clock from a trigger sequencer to create a pseudorandom drum trigger pattern synced to the rest of your drums.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"Hexinverter","offers":[{"title":"Default Title","offer_id":45223311737002,"sku":"","price":210.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0020\/5199\/7743\/files\/VCNO-Webshop.jpg.840x560_q85_smart.jpg?v=1700599600"},{"product_id":"pittsburgh-modular-generator-x-nos","title":"Pittsburgh Modular- Generator X [NOS]","description":"\u003cp\u003eThis is a limited edition combination of the Generator \u0026amp; GenXpander\u003cbr\u003e\u003cbr\u003eNew old stock, brand new in box\u003cspan style=\"white-space: pre-wrap;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv id=\"block-yui_3_17_2_40_1481139293191_7818\" data-block-type=\"2\" class=\"sqs-block html-block sqs-block-html\"\u003e\n\u003cdiv class=\"sqs-block-content\"\u003e\n\u003cdiv class=\"sqs-html-content\"\u003e\n\u003ch2 style=\"white-space: pre-wrap;\"\u003eGenerator\u003c\/h2\u003e\n\u003cp style=\"white-space: pre-wrap;\" class=\"\"\u003e[No Longer In Production]\u003c\/p\u003e\n\u003cp style=\"white-space: pre-wrap;\" class=\"\"\u003eDual Oscillator FM Monster\u003c\/p\u003e\n\u003cp style=\"white-space: pre-wrap;\" class=\"\"\u003eA dual oscillator built around two triangle core, wide range, periodic waveform generators. As a multipurpose signal generator, it can provide the basis of a wide range of complex sounds ideal for tuned percussion\/noise, abrasive amplitude, frequency and timbral modulation. Tones, drones, textures, and  drums to atonal, nintendo zipper\/fart noises. This module was made for FM madness.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ch2\u003eGenXpander\u003c\/h2\u003e\n\u003cp\u003e[No Longer In Production]\u003c\/p\u003e\n\u003cp id=\"yui_3_17_2_1_1701285822445_257\"\u003eWaveshaper \/ Wavemangler Expander Module for the Generator\u003c\/p\u003e\n\u003cp\u003eThe GenXpander is an expander module for the \u003ca href=\"https:\/\/pittsburghmodular.com\/generator\"\u003eGenerator\u003c\/a\u003e.  It adds standard waveform outuputs, internal FM waveform selection, and extensive waveshaping capabilities to the Generator module.\u003c\/p\u003e\n\u003cp\u003eThe GenXpander has 4 separate sections.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWaveshaper\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe waveshaper circuit uses a triangle wave and square wave from one or both of the oscillators on the Generator module to create a saw wave and a pulse wave.  Attenuated CV control of the pulsewidth and saw shape is available.  A switch for the triangle wave and a switch for the square wave determine which oscillator the seed waveforms are taken from.\u003c\/p\u003e\n\u003cp\u003eSelecting the same oscillator for both triangle and square will provide a clean saw wave.  Selecting different oscillators for the triangle and square waves will provide a very interesting modulating, saw-triangle-square type waveform.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFM Wave Switch\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eDetermines the waveform used by oscillator 1 (GEN1) to internally modulate oscillator 2 (GEN2).  The Generator ships with the internal FM set to the variable waveform.  The switch allows the frequency modulation waveform to be changed to a triangle wave. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStandard Waveform Outputs\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSeparate triangle and square wave outputs for both oscillator 1 (GEN1) and oscillator 2 (GEN2)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBAD Outputs\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAn odd\/even harmonic detector, frequency mixer \u0026amp; waveshaper.  It inverts the polarity of the triangle waves based on the frequency relationship between oscillator 1 (GEN1) and oscillator 2 (GEN2).\u003c\/p\u003e\n\u003cp\u003eOE Output:\u003c\/p\u003e\n\u003cp\u003eRegular polarity oscillator 1 triangle if the difference between oscillator 1 (GEN1) and oscillator 2 (GEN2) is an even number.  \u003c\/p\u003e\n\u003cp\u003eInverted polarity \u003c\/p\u003e\n\u003cp\u003eoscillator 1 triangle\u003c\/p\u003e\n\u003cp\u003e if the difference between \u003c\/p\u003e\n\u003cp\u003eoscillator 1 (GEN1) and oscillator 2 (GEN2) \u003c\/p\u003e\n\u003cp\u003eis an odd number.\u003c\/p\u003e\n\u003cp\u003eDIF output:\u003c\/p\u003e\n\u003cp\u003ePolarity of oscillator 2 triangle is changed at a frequency equal to the difference between oscillator 1 (GEN1) and oscillator 2 (GEN2).  If \u003c\/p\u003e\n\u003cp\u003eoscillator 1 (GEN1) and oscillator 2 (GEN2)\u003c\/p\u003e\n\u003cp\u003e are the exact same frequency then the DIF output is the same as the oscillator 2 triangle output.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Pittsburgh Modular","offers":[{"title":"Default Title","offer_id":45242666778794,"sku":"","price":409.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0020\/5199\/7743\/files\/Screenshot2023-11-29at11-28-45PittsburghModularGeneratorX.png?v=1701286125"},{"product_id":"pittsburgh-modular-vilfo","title":"Pittsburgh Modular - VILFO","description":"\u003cp\u003eBrand new, old stock (N.O.S.) Pittsburgh VILFO. Last one!\u003c\/p\u003e\n\u003cp\u003eCreating chaos out of designs from the past, Pittsburgh Modular is building a uniquely skewed vision of modular synthesis. Pittsburgh modules are handmade with the look of 1950′s science fiction laboratory equipment using bold components and unique layouts to promote interaction and experimentation. Fresh ideas in modern analog circuitry are used to create new, interesting, and strangely musical tones.\u003cbr\u003e\u003cbr\u003eThe ViLFO (Voltage Influenced LFO) is unique in the modular world. It is a strange, triangle based LFO that lives in an 8hp euro panel. The module offers two outputs, a triangle wave, and a variable waveform that shifts from a triangle to something that is almost not completely a square wave. The VILFO also includes a Voltage Influence CV input and a fine tune knob. The influence allows the incoming CV to mingle with the LFO waveforms in bizarre ways creating unique modulations and patterns.\u003c\/p\u003e","brand":"Pittsburgh Modular","offers":[{"title":"Default Title","offer_id":45535658770602,"sku":"","price":169.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0020\/5199\/7743\/files\/VILFO.jpg?v=1709251447"},{"product_id":"synthetic-sound-labs-rockdrum-1","title":"Synthetic Sound Labs - Rockdrum-1","description":"\u003cp\u003eThe\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eRockDrum-1\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003econtains 6 wonderfully crunchy, fully polyphonic “Lo-Fi” digital drumkit samples in just 12 HP.  Samples include: Bass, Snare, Closed High Hat, Tom, Short Ride Cymbal, and (of course) Cowbell.\u003c\/p\u003e\n\u003cp\u003eIt has separate trigger inputs and audio outputs for each of its 6 voices, and individual level controls to a convenient mixer output.  Separate tune controls can change playback rates all the way down to crunchy and zero – including reverse playback.\u003c\/p\u003e","brand":"Synthetic Sound Labs","offers":[{"title":"Default Title","offer_id":45716708098218,"sku":"","price":199.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0020\/5199\/7743\/files\/sslRockdrum.jpg?v=1711484991"},{"product_id":"northern-lights-modular-hdm-dogmatrix95","title":"Northern Lights Modular - HDM DogmaTrix'95","description":"\u003cdiv class=\"product-short-description\"\u003e\n\u003cp\u003eForm follows function\u003ca title=\"Help:IPA\/Danish\" href=\"https:\/\/da.wikipedia.org\/wiki\/Dogme95\"\u003e\u003c\/a\u003e\u003cbr\u003eNo lights, switches or buttons have been harmed in the construction of this.\u003c\/p\u003e\n\u003cp\u003eA compact 6-in\/9-out mix matrix and triple buffer-inverter in h size\u003c\/p\u003e\n\u003cp\u003eThe CV part consists of three pitch accurate buffers where OUT equals IN.\u003cbr\u003eIt also sports an inverter that is tied to 10V when its inputis left unconnected.\u003cbr\u003eA voltage summer of two of the inputs in the lower right corner completes the CV section.\u003c\/p\u003e\n\u003cp\u003eIn the audio section we implemented 6 inputs in two 2 groups that are normaled.\u003cbr\u003eInputs A(1) gets copied to B(2) and C(3) as long as they are left open.\u003cbr\u003eThe signals are then buffered and presented as 1to1 copies on the outputs in the same row or column.\u003cbr\u003eOn cross sections the two inputs will be mixed together in equal intensity\/\u003cbr\u003e9 outputs are available to produce all sorts of combined audio signals.\u003cbr\u003eOutputs can be wired back into inputs to allow even more mixing and summing tricks.\u003c\/p\u003e\n\u003cp\u003eThe h series modules require a h bracket to be mounted in a 1U space\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Northern Light Modular","offers":[{"title":"Default Title","offer_id":45804021383338,"sku":"","price":525.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0020\/5199\/7743\/files\/hDM.1.3.1.jpg?v=1713557298"},{"product_id":"synthetic-sound-labs-segwencer-2521","title":"Synthetic Sound Labs - Model 2521 Segwencer","description":"\u003cp\u003eThe SSL 2521 Segwencer™ 2.0 Euro module is an updated version of our popular 2520 with improved circuitry, simple panel graphics and only 8 HP width – and is indeed in a class of its own. The name derives from the audio term “segue” (fading from one sound to another), and the synth term “sequence” (moving from one point \/ sound to another), and once combined, there is a synergy that blasts these concepts into a totally new way of morphing sounds, textures and even control voltages.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eBefore we go any further, a bit of explanation is probably in order. If you know a bit about pipe organ history, you know that a “crescendo” pedal is not a simple volume control. Pipe organs can control volume by opening and closing louvers in front of the pipes (called “swell”), but can’t really control brightness \/ timbre. A crescendo can add the perception of brightness and impact by adding more “ranks”. This is typically done with a separate pedal that the artist moves forward to bring in brighter and louder sounds. On a pipe organ, the mechanics of this are fairly straight-forward but technically complex. As the artist goes from soft to loud with the crescendo pedal, several “switches” are sequentially engaged. Each successive switch causes a new pipe rank to sound, therefore it becomes increasingly fuller with each stage of the crescendo pedal.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eSo, what is the SSL Segwencer? In a typical Voltage Controlled studio environment, a control voltage is fed to the “Depth” input which (through an on-board attenuator) controls which of the four Segwencer channels is active based on the input voltage. Each channel of the Segwencer has a separate built in VCA (DC coupled!) input and output, as well as a convenient Mix output that can frequently save a mixer.\u003c\/p\u003e\n\u003cp\u003eBy this description, you might think that the Segwencer harshly “switches” from channel to channel – which is not in itself a bad thing. Here is where the Segwencer really shines.\u003c\/p\u003e\n\u003cp\u003eThe Segwencer has a “Width” panel control that literally softens the progressive transitions between the channels. So YOU have complete control over the transition of the “switch” point between the channels, and the “softness” of how that channel switches. Really cool!\u003c\/p\u003e\n\u003cp\u003eObviously, using a voltage pedal could emulate the actions of a crescendo pedal, but how about feeding the Depth input with an envelope generator? What about an LFO, or even keyboard velocity voltages. And since the VCAs are DC coupled, imagine possibilities of Segwencing control voltages, or even CVs AND audio in the same segwence? The combinations are staggering.\u003c\/p\u003e\n\u003cp\u003eImagine taking each basic waveform from a VCO into each input of the Segwencer and having the Segwencer smoothly blend the waves? Or how about a sine wave into channel “A” out to a audio mixer, an LFO into channel “B” out to the VCOs CV input, and a wavefolded sine into channel “C” out to the audio mixer? Result: Sine, to FM modulated sine, to distorted sine.\u003c\/p\u003e\n\u003cp\u003eThe VCA inputs are conveniently normalized, so – How about a voltage controlled quad panner with each output going to a separate speaker? Or maybe three or four VCOs in a musical chord (or dischord if that floats your boat), each into a separate Segwencer input, with the Segwencer “Mix” output as audio? Result: Think about it.\u003c\/p\u003e\n\u003cp\u003eYou’ll probably find youself using at least one Segwencer for just about every patch!\u003c\/p\u003e\n\u003cp\u003e\u003cimg loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-193\" src=\"https:\/\/steamsynth.com\/wp-content\/uploads\/Sewencer-diagram.png\" alt=\"Sewencer-diagram\" width=\"620\" height=\"470\" srcset=\"https:\/\/steamsynth.com\/wp-content\/uploads\/Sewencer-diagram.png 620w, https:\/\/steamsynth.com\/wp-content\/uploads\/Sewencer-diagram-400x303.png 400w\" sizes=\"(max-width: 620px) 100vw, 620px\"\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Synthetic Sound Labs","offers":[{"title":"Default Title","offer_id":45927404863658,"sku":"","price":295.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0020\/5199\/7743\/files\/seqwencer.jpg?v=1715712817"},{"product_id":"zerosum-inertia-the-scorpion-tail","title":"Zerosum Inertia - The Scorpion Tail","description":"\u003cblockquote\u003e\n\u003cp style=\"margin-bottom: 0in; line-height: normal; text-align: left;\" align=\"center\" class=\"MsoNormal\"\u003e\u003cspan style=\"font-family: 'Helvetica',sans-serif; mso-font-kerning: 0pt;\"\u003eThe Scorpion Tail 5U synthesizer module for dotcom systems is an audio signal processor designed to amplify, distort and create new waveshapes by processing audio through a 19EZ8 triple triode and A1B neon lamp.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp style=\"margin-bottom: 0in; line-height: normal; text-align: left;\" align=\"center\" class=\"MsoNormal\"\u003e\u003cspan style=\"font-family: 'Helvetica',sans-serif; mso-font-kerning: 0pt;\"\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/3sdpv6Kd0kM?si=fWDYspMX75unktEp\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp style=\"margin-bottom: 0in; line-height: normal; text-align: left;\" align=\"center\" class=\"MsoNormal\"\u003e\u003cspan style=\"font-family: 'Helvetica',sans-serif; mso-font-kerning: 0pt;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"margin-bottom: 0in; line-height: normal; text-align: left;\" align=\"center\" class=\"MsoNormal\"\u003e\u003cspan style=\"font-family: 'Helvetica',sans-serif; mso-font-kerning: 0pt;\"\u003e300 mA of +15 (900 mA on first power up) \u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"margin-bottom: 0in; line-height: normal; text-align: left;\" align=\"center\" class=\"MsoNormal\"\u003e\u003cspan style=\"font-family: 'Helvetica',sans-serif; mso-font-kerning: 0pt;\"\u003eand 30 mA -15 is needed for the module to operate.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"margin-bottom: 0in; line-height: normal; text-align: left;\" align=\"center\" class=\"MsoNormal\"\u003e\u003cspan style=\"font-family: 'Helvetica',sans-serif; mso-font-kerning: 0pt;\"\u003e2” rear depth.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"margin-bottom: 0in; line-height: normal; text-align: left;\" align=\"center\" class=\"MsoNormal\"\u003e\u003cspan style=\"font-family: 'Helvetica',sans-serif; mso-font-kerning: 0pt;\"\u003e2 dotcom spaces wide.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"margin-bottom: 0in; line-height: normal; text-align: left;\" align=\"center\" class=\"MsoNormal\"\u003e\u003cspan style=\"font-family: 'Helvetica',sans-serif; mso-font-kerning: 0pt;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"margin-bottom: 0in; line-height: normal; text-align: left;\" align=\"center\" class=\"MsoNormal\"\u003e\u003cspan style=\"font-family: 'Helvetica',sans-serif; mso-font-kerning: 0pt;\"\u003eThe signal flow of the module is 3 gain stages in series fed into the neon lamp.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"margin-bottom: 0in; line-height: normal; text-align: left;\" align=\"center\" class=\"MsoNormal\"\u003e\u003cspan style=\"font-family: 'Helvetica',sans-serif; mso-font-kerning: 0pt;\"\u003eThe audio result sounds like 3 waveshapers in series with the neon lamp as a fourth waveshaper or as a resonator\/oscillator that tracks to incoming audio.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"margin-bottom: 0in; line-height: normal; text-align: left;\" align=\"center\" class=\"MsoNormal\"\u003e\u003cspan style=\"font-family: 'Helvetica',sans-serif; mso-font-kerning: 0pt;\"\u003eWhen the neon knob is at maximum setting clockwise it oscillates.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"margin-bottom: 0in; line-height: normal; text-align: left;\" align=\"center\" class=\"MsoNormal\"\u003e\u003cspan style=\"font-family: 'Helvetica',sans-serif; mso-font-kerning: 0pt;\"\u003eWhen neon knob is turned counter clockwise more distortion and waveshaping and lower frequency audio manipulation happens.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"margin-bottom: 0in; line-height: normal; text-align: left;\" align=\"center\" class=\"MsoNormal\"\u003e\u003cspan style=\"font-family: 'Helvetica',sans-serif; mso-font-kerning: 0pt;\"\u003eWhen gain stage knobs are full clockwise this creates a very crisp, clean and low noise loud amplifier.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"margin-bottom: 0in; line-height: normal; text-align: left;\" align=\"center\" class=\"MsoNormal\"\u003e\u003cspan style=\"font-family: 'Helvetica',sans-serif; mso-font-kerning: 0pt;\"\u003eWhen gain stage knobs are turned opposite of eachother and counter clockwise this creates oscillations and wavemangling distortion.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"margin-bottom: 0in; line-height: normal; text-align: left;\" align=\"center\" class=\"MsoNormal\"\u003e\u003cspan style=\"font-family: 'Helvetica',sans-serif; mso-font-kerning: 0pt;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"margin-bottom: 0in; line-height: normal; text-align: left;\" align=\"center\" class=\"MsoNormal\"\u003e\u003cspan style=\"font-family: 'Helvetica',sans-serif; mso-font-kerning: 0pt;\"\u003eCV is handled by an SR3 vactrol for slewy slappy liquidy modulation behavior of the waveshapers instability.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"margin-bottom: 0in; line-height: normal; text-align: left;\" align=\"center\" class=\"MsoNormal\"\u003e\u003cspan style=\"font-family: 'Helvetica',sans-serif; mso-font-kerning: 0pt;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"margin-bottom: 0in; line-height: normal; text-align: left;\" align=\"center\" class=\"MsoNormal\"\u003e\u003cspan style=\"font-family: 'Helvetica',sans-serif; mso-font-kerning: 0pt;\"\u003eIt is recommended to start with all knobs full clockwise\/about 5 o’clock position and then work the knobs backwards slowly while observing the sounds.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"margin-bottom: 0in; line-height: normal; text-align: left;\" align=\"center\" class=\"MsoNormal\"\u003e\u003cspan style=\"font-family: 'Helvetica',sans-serif; mso-font-kerning: 0pt;\"\u003eThe sweet spot for the offset knob is about 2-3 o’clock when no CV is applied.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"margin-bottom: 0in; line-height: normal; text-align: left;\" align=\"center\" class=\"MsoNormal\"\u003e\u003cspan style=\"font-family: 'Helvetica',sans-serif; mso-font-kerning: 0pt;\"\u003eThen full counter clockwise when CV is applied.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"margin-bottom: 0in; line-height: normal; text-align: left;\" align=\"center\" class=\"MsoNormal\"\u003e\u003cspan style=\"font-family: 'Helvetica',sans-serif; mso-font-kerning: 0pt;\"\u003eWhen no CV is applied the offset knob manually sweeps the instability of the 3 waveshaper gain stages.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"margin-bottom: 0in; line-height: normal; text-align: left;\" align=\"center\" class=\"MsoNormal\"\u003e\u003cspan style=\"font-family: 'Helvetica',sans-serif; mso-font-kerning: 0pt;\"\u003eWhen CV is applied the offset adjusts the response of the incoming CV.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"margin-bottom: 0in; line-height: normal; text-align: left;\" align=\"center\" class=\"MsoNormal\"\u003e\u003cspan style=\"font-family: 'Helvetica',sans-serif; mso-font-kerning: 0pt;\"\u003eWork that offset knob when applying CV.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"margin-bottom: 0in; line-height: normal; text-align: left;\" align=\"center\" class=\"MsoNormal\"\u003e\u003cspan style=\"font-family: 'Helvetica',sans-serif; mso-font-kerning: 0pt;\"\u003eThe most interesting and bizarre mangled sounds come when the first gain stage is barely letting audio through.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"margin-bottom: 0in; line-height: normal; text-align: left;\" align=\"center\" class=\"MsoNormal\"\u003e\u003cspan style=\"font-family: 'Helvetica',sans-serif; mso-font-kerning: 0pt;\"\u003eThe loudest and less scrambled sounds are found when all gain stage knobs are full clockwise and offset is about 2-3 o’clock.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"margin-bottom: 0in; line-height: normal; text-align: left;\" align=\"center\" class=\"MsoNormal\"\u003e\u003cspan style=\"font-family: 'Helvetica',sans-serif; mso-font-kerning: 0pt;\"\u003e\u003cspan style=\"mso-spacerun: yes;\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"margin-bottom: 0in; line-height: normal; text-align: left;\" align=\"center\" class=\"MsoNormal\"\u003e\u003cspan style=\"font-family: 'Helvetica',sans-serif; mso-font-kerning: 0pt;\"\u003eThere are so many hidden sounds in this module you will have to record them before they disappear and warp into a new sound.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"margin-bottom: 0in; line-height: normal; text-align: left;\" align=\"center\" class=\"MsoNormal\"\u003e\u003cspan style=\"font-family: 'Helvetica',sans-serif; mso-font-kerning: 0pt;\"\u003eThe intended use of this module is to process audio waveforms from an oscillator.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"margin-bottom: 0in; line-height: normal; text-align: left;\" align=\"center\" class=\"MsoNormal\"\u003e\u003cspan style=\"font-family: 'Helvetica',sans-serif; mso-font-kerning: 0pt;\"\u003eThere is a lot of gain so you will most likely want to place this in the middle of the chain with a voltage controlled attenuator at the end of the chain to control final volume and dynamics.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"margin-bottom: 0in; line-height: normal; text-align: left;\" align=\"center\" class=\"MsoNormal\"\u003e\u003cspan style=\"font-family: 'Helvetica',sans-serif; mso-font-kerning: 0pt;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"margin-bottom: 0in; line-height: normal; text-align: left;\" align=\"center\" class=\"MsoNormal\"\u003e\u003cspan style=\"font-family: 'Helvetica',sans-serif; mso-font-kerning: 0pt;\"\u003eVery interesting results are found when also processing synthetic percussion and rhythmic beats and sequences.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"margin-bottom: 0in; line-height: normal; text-align: left;\" align=\"center\" class=\"MsoNormal\"\u003e\u003cspan style=\"font-family: 'Helvetica',sans-serif; mso-font-kerning: 0pt;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"margin-bottom: 0in; line-height: normal; text-align: left;\" align=\"center\" class=\"MsoNormal\"\u003e\u003cspan style=\"font-size: 24.0pt; font-family: 'Helvetica',sans-serif; mso-font-kerning: 0pt;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"margin-bottom: 0in; line-height: normal; text-align: left;\" align=\"center\" class=\"MsoNormal\"\u003e\u003cspan style=\"font-size: 24.0pt; font-family: 'Helvetica',sans-serif; mso-font-kerning: 0pt;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"margin-bottom: 0in; line-height: normal; text-align: left;\" align=\"center\" class=\"MsoNormal\"\u003e\u003cspan style=\"font-size: 24.0pt; font-family: 'Helvetica',sans-serif; mso-font-kerning: 0pt;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/blockquote\u003e","brand":"Zerosum Inertia","offers":[{"title":"Default Title","offer_id":45928312176810,"sku":"","price":499.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0020\/5199\/7743\/files\/scorpionsta.jpg?v=1741726208"},{"product_id":"zerosum-inertia-voltage-controlled-annihilation-1","title":"Zerosum Inertia - Voltage Controlled Annihilation","description":"\u003cp\u003e\u003ciframe height=\"315\" width=\"560\" title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/dyrgcKryECU\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cdiv id=\"module-details\"\u003e\n\u003ch1 class=\"lead wrap\"\u003e\n\u003cstrong\u003e\u003c\/strong\u003e\u003cbr\u003e\n\u003c\/h1\u003e\n\u003cp dir=\"ltr\"\u003e\u003cb\u003e\u003cstrong\u003eMADE IN THE USA!\u003c\/strong\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cb\u003e\u003cstrong\u003eTube VCA\/neon lamp distortion - Eurorack format\u003c\/strong\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThe Voltage Controlled Annihilation module from Zerosum Inertia is the next level in the universe of audio destruction and madness.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eA high quality NOS 12AU6 pentode is selected for it's excellence in audio amplification to drive a neon gas filled lamp.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eThe neon lamp sounds like your speakers are melting and will destroy your audio signal in unique ways when fully cranked up. Very crude subharmonic synthesis.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eWhen the neon lamp level is backed off a bit, the smooth creamy tube distortion of the 12AU6 shines through in a musically pleasant way.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cb\u003e\u003cstrong\u003eFeatures:\u003c\/strong\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cul class=\"cms-ul\"\u003e\n\u003cli value=\"1\"\u003e\u003cspan\u003eCV of the tube gain is provided\u003c\/span\u003e\u003c\/li\u003e\n\u003cli value=\"2\"\u003e\u003cspan\u003eHand wired, and hand placed through hole parts put together by a human\u003c\/span\u003e\u003c\/li\u003e\n\u003cli value=\"3\"\u003e\u003cspan\u003eSwitchcraft jacks\u003c\/span\u003e\u003c\/li\u003e\n\u003cli value=\"4\"\u003e\u003cspan\u003eJacks and potentiometers firmly bolted to the panel\u003c\/span\u003e\u003c\/li\u003e\n\u003cli value=\"5\"\u003e\u003cspan\u003eReverse power protection diodes\u003c\/span\u003e\u003c\/li\u003e\n\u003cli value=\"6\"\u003e\u003cspan\u003eSocketed IC's\u003c\/span\u003e\u003c\/li\u003e\n\u003cli value=\"7\"\u003e\u003cspan\u003eEngraved panel\u003c\/span\u003e\u003c\/li\u003e\n\u003cli value=\"8\"\u003e\u003cspan\u003ePCB firmly attached to the panel with standoffs\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c!----\u003e\n\u003c\/div\u003e","brand":"Zerosum Inertia","offers":[{"title":"Default Title","offer_id":46105388679338,"sku":"","price":435.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0020\/5199\/7743\/files\/VCAnnihilation.jpg?v=1773772978"},{"product_id":"synamodec-gorse-lathe","title":"Synamodec - Gorse Lathe","description":"\u003ch1 class=\"Standard\"\u003eSynamodec - Gorse Lathe\u003c\/h1\u003e\n\u003cp class=\"Standard\"\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/d8faqMCQkPE?si=VSjHPmgd8eZdCmd0\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp class=\"Standard\"\u003e\u003cspan lang=\"ES\"\u003eThis synth has 2 sound\/noise generators whose outputs are mixed,\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"Standard\"\u003e\u003cspan lang=\"ES\"\u003ethey go through the Harmonics and from there to the output,\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"Standard\"\u003e\u003cspan lang=\"ES\"\u003ebut with a switch we select which one goes directly to the harmonics\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"Standard\"\u003e\u003cspan lang=\"ES\"\u003eand which one goes to the delay.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"Standard\"\u003e\u003cspan lang=\"ES\"\u003eIn N to Dly position, the signals go\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"Standard\"\u003e\u003cspan lang=\"ES\"\u003e\u003cspan style=\"mso-spacerun: yes;\"\u003e             \u003c\/span\u003eNoise – Dly – harmonics - out\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"Standard\"\u003e\u003cspan lang=\"ES\"\u003e\u003cspan style=\"mso-spacerun: yes;\"\u003e             \u003c\/span\u003eLegus – harmonics – out\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"Standard\"\u003e\u003cspan lang=\"ES\"\u003eIn L to Dly position the signals go\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"Standard\"\u003e\u003cspan lang=\"ES\"\u003e\u003cspan style=\"mso-spacerun: yes;\"\u003e             \u003c\/span\u003eNoise – harmonics – out\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"Standard\"\u003e\u003cspan lang=\"ES\"\u003e\u003cspan style=\"mso-spacerun: yes;\"\u003e             \u003c\/span\u003eLegus – Dly – harmonics – out\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"Standard\"\u003e\u003cspan lang=\"ES\"\u003eNOISE - The switch selects three types of noise,\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"Standard\"\u003e\u003cspan lang=\"ES\"\u003ewhite, white LP and grain, a control allows you\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"Standard\"\u003e\u003cspan lang=\"ES\"\u003eto regulate the grain level,\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"Standard\"\u003e\u003cspan lang=\"ES\"\u003eoutput level control and Tex,\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"Standard\"\u003e\u003cspan lang=\"ES\"\u003ebefore going to the mixer the noises go through a filter,\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"Standard\"\u003e\u003cspan lang=\"ES\"\u003ecut-off control and resonance,\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"Standard\"\u003e\u003cspan lang=\"ES\"\u003eand with a switch we select HP or LP output.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"Standard\"\u003e\u003cspan lang=\"ES\"\u003eThe upper NOISE switch selects whether the output is fixed\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"Standard\"\u003e\u003cspan lang=\"ES\"\u003eor triggered by an external gate signal.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"Standard\"\u003e\u003cspan lang=\"ES\"\u003eIf we choose fixed, the LED will always be on.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"Standard\"\u003e\u003cspan lang=\"ES\"\u003eIf we choose trigger mode, the LED will light up with each gate pulse.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"Standard\"\u003e\u003cspan lang=\"ES\"\u003eThe Decay control then operates like a small envelope.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"Standard\"\u003e\u003cspan lang=\"ES\"\u003eSynamodec - Gorse Lathe\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"Standard\"\u003e\u003cspan lang=\"ES\"\u003eThe Sens control adequately regulates the external gate signal applied\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"Standard\"\u003e \u003c\/p\u003e\n\u003cp class=\"Standard\"\u003e\u003cspan lang=\"ES\"\u003eThe Rate and PWM control is for the LFO (only for delay) control the\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"Standard\"\u003e\u003cspan lang=\"ES\"\u003efrequency and the waveform\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"Standard\"\u003e\u003cspan lang=\"ES\"\u003eLEGUS - Legus consists of 4 original oscillators interconnected\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"Standard\"\u003e\u003cspan lang=\"ES\"\u003eand mixed together, we also have output level control\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"Standard\"\u003e\u003cspan lang=\"ES\"\u003eDLY – We have Input level , Time, feedback and Dry\/Wet controls\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"Standard\"\u003e\u003cspan lang=\"ES\"\u003eAnd a Modulation control that control the level of the LFO to modulate\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"Standard\"\u003e\u003cspan lang=\"ES\"\u003ethe Time of de delay.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"Standard\"\u003e\u003cspan lang=\"ES\"\u003eHARMONICS - It is a 6-band filter\/equalizer, with input and feedback level control.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"Standard\"\u003e\u003cspan lang=\"ES\"\u003eKeep in mind that there are three level controls with which we can work\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"Standard\"\u003e\u003cspan lang=\"ES\"\u003eto obtain sound at the output.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"Standard\"\u003e\u003cspan lang=\"ES\"\u003eIf, for example, we select N to Dly,\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"Standard\"\u003e\u003cspan lang=\"ES\"\u003ewe will have to act on the output level control of the noise generator,\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"Standard\"\u003e\u003cspan lang=\"ES\"\u003eon the input level control of the delay\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"Standard\"\u003e\u003cspan lang=\"ES\"\u003eand on the input level control of the Harmonics.\u003c\/span\u003e\u003c\/p\u003e","brand":"Synamodec","offers":[{"title":"Default Title","offer_id":46364213870762,"sku":"","price":499.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0020\/5199\/7743\/files\/Artboard1_cd6f0054-38dd-4fb6-9a12-fe86be0f454a.png?v=1732133044"},{"product_id":"synamodec-dnd-ss3","title":"Synamodec - DND-SS3","description":"\u003cp style=\"line-height: 27.0pt;\" class=\"PreformattedText\"\u003e\u003cspan style=\"font-size: 21.0pt; mso-bidi-font-size: 10.0pt; font-family: inherit; color: black; mso-ansi-language: EN-US;\"\u003e*DND-SS3\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"line-height: 27.0pt;\" class=\"PreformattedText\"\u003e\u003cspan style=\"font-size: 12.0pt; font-family: inherit; color: black; mso-ansi-language: EN-US;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"line-height: 27.0pt;\" class=\"PreformattedText\"\u003e\u003cspan style=\"font-size: 21.0pt; mso-bidi-font-size: 10.0pt; font-family: inherit; color: black; mso-ansi-language: EN-US;\"\u003eThis synth consists of VCO, dual LFO, VCF, NOISE and VCA.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"line-height: 27.0pt;\" class=\"PreformattedText\"\u003e\u003cspan style=\"font-size: 21.0pt; mso-bidi-font-size: 10.0pt; font-family: inherit; color: black; mso-ansi-language: EN-US;\"\u003eWe can connect them together with cables\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"line-height: 27.0pt;\" class=\"PreformattedText\"\u003e\u003cspan style=\"font-size: 21.0pt; mso-bidi-font-size: 10.0pt; font-family: inherit; color: black; mso-ansi-language: EN-US;\"\u003eas if it were a modular system, which in reality it is.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"line-height: 27.0pt;\" class=\"PreformattedText\"\u003e\u003cspan style=\"font-size: 21.0pt; mso-bidi-font-size: 10.0pt; font-family: inherit; color: black; mso-ansi-language: EN-US;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"line-height: 27.0pt;\" class=\"PreformattedText\"\u003e\u003cspan style=\"font-size: 21.0pt; mso-bidi-font-size: 10.0pt; font-family: inherit; color: black; mso-ansi-language: EN-US;\"\u003e*VCO – We have frequency control and out level for each output (triangular and square)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"line-height: 27.0pt;\" class=\"PreformattedText\"\u003e\u003cspan style=\"font-size: 21.0pt; mso-bidi-font-size: 10.0pt; font-family: inherit; color: black; mso-ansi-language: EN-US;\"\u003eand a Cv input.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"line-height: 27.0pt;\" class=\"PreformattedText\"\u003e\u003cspan style=\"font-size: 21.0pt; mso-bidi-font-size: 10.0pt; font-family: inherit; color: black; mso-ansi-language: EN-US;\"\u003e*LFO – We have 2 in the unit, with frequency\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"line-height: 27.0pt;\" class=\"PreformattedText\"\u003e\u003cspan style=\"font-size: 21.0pt; mso-bidi-font-size: 10.0pt; font-family: inherit; color: black; mso-ansi-language: EN-US;\"\u003eand level control\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"line-height: 27.0pt;\" class=\"PreformattedText\"\u003e\u003cspan style=\"font-size: 21.0pt; mso-bidi-font-size: 10.0pt; font-family: inherit; color: black; mso-ansi-language: EN-US;\"\u003e*VCF – A small mixer at the input allow to\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"line-height: 27.0pt;\" class=\"PreformattedText\"\u003e\u003cspan style=\"font-size: 21.0pt; mso-bidi-font-size: 10.0pt; font-family: inherit; color: black; mso-ansi-language: EN-US;\"\u003econect 2 signal at the filter with 2 input level\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"line-height: 27.0pt;\" class=\"PreformattedText\"\u003e\u003cspan style=\"font-size: 21.0pt; mso-bidi-font-size: 10.0pt; font-family: inherit; color: black; mso-ansi-language: EN-US;\"\u003econtrols, cutt-off and resonance have CV input, and we have 3 simultaneus outputs\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"line-height: 27.0pt;\" class=\"PreformattedText\"\u003e\u003cspan style=\"font-size: 21.0pt; mso-bidi-font-size: 10.0pt; font-family: inherit; color: black; mso-ansi-language: EN-US;\"\u003eHP,LP and BP.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"line-height: 27.0pt;\" class=\"PreformattedText\"\u003e\u003cspan style=\"font-size: 21.0pt; mso-bidi-font-size: 10.0pt; font-family: inherit; color: black; mso-ansi-language: EN-US;\"\u003e*NOISE – Noise generator with 3 different kind of noise, white, white HP and white LP,\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"line-height: 27.0pt;\" class=\"PreformattedText\"\u003e\u003cspan style=\"font-size: 21.0pt; mso-bidi-font-size: 10.0pt; font-family: inherit; color: black; mso-ansi-language: EN-US;\"\u003elevel control for each\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"line-height: 27.0pt;\" class=\"PreformattedText\"\u003e\u003cspan style=\"font-size: 21.0pt; mso-bidi-font-size: 10.0pt; font-family: inherit; color: black; mso-ansi-language: EN-US;\"\u003e*VCA – We have input level control for signal\u003c\/span\u003e\u003cspan style=\"font-size: 13.0pt; mso-bidi-font-size: 10.0pt; font-family: inherit; color: black; mso-ansi-language: EN-US;\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"line-height: 27.0pt;\" class=\"PreformattedText\"\u003e\u003cspan style=\"font-size: 21.0pt; mso-bidi-font-size: 10.0pt; font-family: inherit; color: black; mso-ansi-language: EN-US;\"\u003ein and for modulation signal, to the CV input\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"line-height: 27.0pt;\" class=\"PreformattedText\"\u003e\u003cspan style=\"font-size: 21.0pt; mso-bidi-font-size: 10.0pt; font-family: inherit; color: black; mso-ansi-language: EN-US;\"\u003ewe can conect the LFO or other external devices\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"line-height: 27.0pt;\" class=\"PreformattedText\"\u003e\u003cspan style=\"font-size: 21.0pt; mso-bidi-font-size: 10.0pt; font-family: inherit; color: black; mso-ansi-language: EN-US;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"line-height: 27.0pt;\" class=\"PreformattedText\"\u003e\u003cspan style=\"font-size: 13.0pt; font-family: inherit; color: black; mso-ansi-language: EN-US;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"Standard\"\u003e\u003cspan lang=\"ES\"\u003e \u003c\/span\u003e\u003c\/p\u003e","brand":"Synamodec","offers":[{"title":"Default Title","offer_id":46364215705770,"sku":"","price":399.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0020\/5199\/7743\/files\/DNDBlk.png?v=1732133233"},{"product_id":"lep-arpovoce","title":"LEP - ArpoVoice","description":"\u003cp dir=\"ltr\"\u003e\u003cb\u003e\u003cstrong\u003eArpoVoce\u003c\/strong\u003e\u003c\/b\u003e\u003cspan\u003e it’s the \u003c\/span\u003e\u003cb\u003e\u003cstrong\u003eArpoloop\u003c\/strong\u003e\u003c\/b\u003e\u003cspan\u003e voice board in \u003c\/span\u003e\u003cb\u003e\u003cstrong\u003eEuro Rack format\u003c\/strong\u003e\u003c\/b\u003e\u003cspan\u003e. A big module of 60HP offering all you need for a compact setup.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e \u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/lPbqXIRTJ5g?si=cDyBucaJJUB9h13T\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFeatures:\u003c\/span\u003e\u003c\/p\u003e\n\u003cul class=\"cms-ul\"\u003e\n\u003cli value=\"1\"\u003e\u003cspan\u003e4 voltage controlled Hz\\Volt oscillators (VCO)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli value=\"2\"\u003e\u003cspan\u003eVCO1 sine wave with sync and FM\u003c\/span\u003e\u003c\/li\u003e\n\u003cli value=\"3\"\u003e\u003cspan\u003eVCO2 sine wave with FM\u003c\/span\u003e\u003c\/li\u003e\n\u003cli value=\"4\"\u003e\u003cspan\u003eVCO3 sine wave with sync and FM\u003c\/span\u003e\u003c\/li\u003e\n\u003cli value=\"5\"\u003e\u003cspan\u003eVCO4 sine-square-sawtooth with LFO option\u003c\/span\u003e\u003c\/li\u003e\n\u003cli value=\"6\"\u003e\u003cspan\u003eWhite Noise generator with cutoff\u003c\/span\u003e\u003c\/li\u003e\n\u003cli value=\"7\"\u003e\u003cspan\u003e4 cascadable voltage controlled amplifiers (VCA) controlled by envelope or ring modulated by VCO4\u003c\/span\u003e\u003c\/li\u003e\n\u003cli value=\"8\"\u003e\u003cspan\u003e3 Attack-Release envelope generators (ENV) with 3 modes of operation (GATE, REPEAT, TRIG) long\\short mode and linear\\exponential switch with CV out.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli value=\"9\"\u003e\u003cspan\u003eVCO1 and VCO3 are hard syncable via the SYNC switch.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli value=\"10\"\u003e\u003cspan\u003eVCO2 will do the pitch and VCO1 the harmonic contents, more or less like a resonant filter. (VCO1 pitch = cutoff) The same is possible with VCO3 (cutoff) and VCO4 (pitch) featuring a full two voices synth.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli value=\"11\"\u003e\u003cspan\u003eA two formant voicing is possible by syncing both VCO1 and VCO3 with the same VCO2 making possible, among others, human voice imitation.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli value=\"12\"\u003e\u003cspan\u003eThe FM MOD control can produce FM synthesis as well as vibrato or envelope modulation.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli value=\"13\"\u003e\u003cspan\u003eEach VCA is connected to its own VCO and can be controlled by an envelope or by VCO4 becoming a ring modulator.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli value=\"14\"\u003e\u003cspan\u003eVCA2 and VCA4 can be routed to another VCA output, obtaining a velocity control with ext cv in, or a double modulation, up to three VCA’s can be chained.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli value=\"15\"\u003e\u003cspan\u003eA white noise can be used for VCA2 input, this can give a further piattino (high hat) sound.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli value=\"16\"\u003e\u003cspan\u003eVCA1 have an external audio input.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli value=\"17\"\u003e\u003cspan\u003eSix channels Audio Mixer with individual out for cassa, snare, stereo out with vca1\\2 left and vca3\\4 right, mono out.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli value=\"18\"\u003e\u003cspan\u003eMany routing capabilities, 5 or more sound at the same time, 3 voice polyphonic option, spaghetti free.\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"LEP","offers":[{"title":"Default Title","offer_id":46387314589866,"sku":"","price":560.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0020\/5199\/7743\/files\/ArpoLoopVoice.jpg?v=1745016454"},{"product_id":"days-of-yore-passive-matrix-mixer","title":"Days of Yore - Passive Matrix Mixer","description":"\u003ch2\u003eDays of Yore Passive Matrix Mixer\u003c\/h2\u003e\n\u003cp\u003eThe Days Of Yore Passive Matrix Mixer is a five-input, five-output matrix mixer bringing exquisite craftsmanship and studio-grade audio to all your experimental mixing pursuits. Demanding attention with its unmistakable walnut enclosure and cherry wood top, Days of Yore has created a feedback mangling, audio dispersing beast fit for a King's arsenal of experimental music tools. The passive design requires no power to operate, cleanly passing signals through a complex routing arrangement with uncolored audio for complete control of your tone. Each matrix volume pot features an on\/off switch, facilitating a cleaner mix when a particular node is not in use, or supplying 25 performative switches for quickly changing signal routing and feedback behavior.\u003c\/p\u003e\n\u003cp\u003eOn each knob, impedance at the center position has been precision-tuned to work with both active and passive setups, enabling connection of virtually any external equipment. Explore the textures, timbres, and rhythms of feedback by connecting equipment to the mixers inputs and outputs. Create complex effects routings you can easily fine tune and switch for impactful sonic gestures. Bring in an instrument signal, and blend to your heart's content. Plenty more set-ups and configurations await your creative exploration. If you're looking for a matrix mixer boasting all the bells and whistles for audio manipulation in a form factor that will get you instantly booked as a sound engineer for your local Renaissance Faire, the Days of Yore Matrix Mixer is the perfect choice.\u003c\/p\u003e\n\u003ch2\u003ePassive Matrix Mixer Features\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e5 x 5 passive matrix mixer\u003c\/li\u003e\n\u003cli\u003e25 volume controls for each input-output pair with individual on\/off switches\u003c\/li\u003e\n\u003cli\u003eFine-tuned impedance at center knob position compatible with active and passive set-ups\u003c\/li\u003e\n\u003cli\u003eChannel inputs and outputs located on the back for clutter-free routing\u003c\/li\u003e\n\u003cli\u003e1\/4\" TS inputs and outputs\u003c\/li\u003e\n\u003cli\u003eBeautiful handcrafted enclosure made in Canada with walnut and cherry wood\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Days of Yore","offers":[{"title":"Default Title","offer_id":46496897990826,"sku":"","price":999.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0020\/5199\/7743\/files\/PassiveMatrixMixer1.jpg?v=1738615186"},{"product_id":"novation-launchkey-25-mk4","title":"Novation - Launchkey 25 MK4 [DEMO]","description":"\u003ch3 id=\"fc-product-description_header\"\u003eDescription\u003c\/h3\u003e\n\u003cp\u003eThis item was opened and briefly demoed. Ships with full manufacturer warranty.\u003c\/p\u003e\n\u003cdiv class=\"fc-product-description__copy\"\u003e\n\u003cp\u003eLaunchkey 25 is a versatile DAW controller packed with essential creation tools. Designed to streamline your creative process, it features a synth-action keybed and 16 responsive pads with polyphonic aftertouch. The well-organised control surface offers comprehensive DAW integration, allowing you to play instruments and drums, launch clips and scenes, and control your DAW’s mixer, devices, and effects with ease.\u003c\/p\u003e\n\u003cp\u003eAdditionally, it includes an editable Arpeggiator, three Chord Modes for rapid musical progression, a Scale Mode to keep you in key, and a Chord Detector that visually displays the current chord on the OLED screen.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ch6\u003e\u003cstrong\u003eKey Features\u003c\/strong\u003e\u003c\/h6\u003e\n\u003cul\u003e\n\u003cli\u003ePowerful integration with all major DAWs, including Ableton Live, Logic Pro, Cubase, Bitwig Studio, Reason, FL Studio, Ardour, and more.\u003c\/li\u003e\n\u003cli\u003eFixed\/User Chord Modes on 16 pads, a Scale Mode with 30 scales, a Chord Detector, a generative arpeggiator, an eight-step sequencer, and a Chord Map with a wide range of handcrafted chords with dynamic performance modifiers.\u003c\/li\u003e\n\u003cli\u003eIncludes a software bundle with Ableton Live 12 Lite, GForce synths, Orchestral Tools, Klevgrand plugins, and Melodics lessons for complete music creation and learning.\u003c\/li\u003e\n\u003cli\u003eIncludes a USB-C socket, 5 pin MIDI out socket, and a 1\/4” jack sustain pedal socket.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2 class=\"media-object__heading h2\"\u003ePowerful DAW integration\u003c\/h2\u003e\n\u003cdiv class=\"media-object__text\"\u003eLaunchkey offers powerful, custom integration for: Ableton Live, Logic, Cubase, Bitwig Studio, Reason Studios, FL Studio, and Ardour. With these, you get a hardware-powered workflow that gives you full control of transport functions, timeline navigation, mixing and EQ, clip launching, and instrument and effect parameters.\u003c\/div\u003e\n\u003cdiv class=\"media-object__text\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"media-object__text\"\u003e\n\u003ch2 class=\"media-object__heading h2\"\u003eGet hands-on\u003c\/h2\u003e\n\u003cdiv class=\"media-object__text\"\u003eTake control of your performance with 16 Launchpad-style, velocity-sensitive drum pads. Perfect for launching clips, playing chords, and drumming, these pads offer intuitive interaction and expressive control.\u003cbr\u003e\u003cbr\u003eWith polyphonic aftertouch, each pad responds individually to varying amounts of pressure, enabling more expressive and dynamic playing.\u003c\/div\u003e\n\u003cdiv class=\"media-object__text\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"media-object__text\"\u003e\n\u003ch2 span=\"\" class=\"whiteText\"\u003eAll you need to\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"greenText\"\u003ecreate\u003c\/span\u003e\n\u003c\/h2\u003e\n\u003cspan\u003eThe new Launchkey comes with a unique software bundle that enables you to dive straight into music creation. Ableton Live 12 Lite empowers you to record and perform with up to eight tracks of MIDI or audio, complemented by a selection of premium instruments, effects, and creative tools — all seamlessly integrated with your Launchkey.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eKlevgrand\u003c\/strong\u003e\u003cspan\u003e - Renowned for intuitive and effective production tools, Klevgrand, based in Stockholm, Sweden, offers Launchkey users three premium plugins: LUXE for track enhancement, R0Verb for multi-delay effects, and Slammer for comprehensive drum customisation.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eGForce\u003c\/strong\u003e\u003cspan\u003e – Beautifully modelled heritage synth VSTs with emulations of classic Novation and Oberheim synthesisers. This bundle includes an enhanced emulation of our iconic Novation Bass Station, Oberheim SEM, Oberheim OB-EZ, and GForce AXXESS.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eOrchestral Tools\u003c\/strong\u003e\u003cspan\u003e – World-class orchestral and acoustic sounds, including the Parallel Orchestra Bundle, exclusively for Launchkey customers. This bundle features Delicate Piano, Flautando Strings, Percussion FX, Shadowy, Paradox Texture, and Woodwind Parallax. It supports creating a wide range of music, from cinematic to hip hop.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eNative Instruments\u003c\/strong\u003e\u003cspan\u003e – Choose from one of three curated bundles with Komplete 15 Select. Beats, Band, and Electronic – each includes synths, sampled session instruments, and high-quality effects designed to suit specific genres and workflows.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eAbleton Live 12 Lite\u003c\/strong\u003e\u003cspan\u003e - The popular music creation software with seamless Launchkey integration. It includes effects, instruments, sounds, and creative features to make any kind of music with ease.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eMelodics\u003c\/strong\u003e\u003cspan\u003e - A desktop and mobile app offering bespoke lessons for Novation users. Learn to play keys or pads with guided lessons and popular songs for both beginners and advanced users.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Novation","offers":[{"title":"Default Title","offer_id":46670776369322,"sku":"","price":179.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0020\/5199\/7743\/files\/launchkey25.jpg?v=1742937503"},{"product_id":"maneco-labs-drum4","title":"Maneco Labs - Drum4","description":"\u003cp\u003e\u003cspan\u003eDrums4 is a 4 voice, sample based percussion sound generator.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cblockquote style=\"background: #FFF; border: 0; border-radius: 3px; box-shadow: 0 0 1px 0 rgba(0,0,0,0.5),0 1px 10px 0 rgba(0,0,0,0.15); margin: 1px; max-width: 540px; min-width: 326px; padding: 0; width: calc(100% - 2px);\" data-instgrm-version=\"14\" data-instgrm-permalink=\"https:\/\/www.instagram.com\/reel\/DJDSdCcPF5h\/?utm_source=ig_embed\u0026amp;utm_campaign=loading\" data-instgrm-captioned=\"\" class=\"instagram-media\"\u003e\n\u003cdiv style=\"padding: 16px;\"\u003e\n\u003ca style=\"background: #FFFFFF; line-height: 0; padding: 0 0; text-align: center; text-decoration: none; width: 100%;\" href=\"https:\/\/www.instagram.com\/reel\/DJDSdCcPF5h\/?utm_source=ig_embed\u0026amp;utm_campaign=loading\" target=\"_blank\"\u003e\n\u003cdiv style=\"display: flex; flex-direction: row; align-items: center;\"\u003e\n\u003cdiv style=\"background-color: #f4f4f4; border-radius: 50%; flex-grow: 0; height: 40px; margin-right: 14px; width: 40px;\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv style=\"display: flex; flex-direction: column; flex-grow: 1; justify-content: center;\"\u003e\n\u003cdiv style=\"background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 100px;\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv style=\"background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; width: 60px;\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"padding: 19% 0;\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv style=\"display: block; height: 50px; margin: 0 auto 12px; width: 50px;\"\u003e\u003csvg xmlns:xlink=\"https:\/\/www.w3.org\/1999\/xlink\" xmlns=\"https:\/\/www.w3.org\/2000\/svg\" version=\"1.1\" viewbox=\"0 0 60 60\" height=\"50px\" width=\"50px\"\u003e\u003cg fill-rule=\"evenodd\" fill=\"none\" stroke-width=\"1\" stroke=\"none\"\u003e\u003cg fill=\"#000000\" transform=\"translate(-511.000000, -20.000000)\"\u003e\u003cg\u003e\u003cpath d=\"M556.869,30.41 C554.814,30.41 553.148,32.076 553.148,34.131 C553.148,36.186 554.814,37.852 556.869,37.852 C558.924,37.852 560.59,36.186 560.59,34.131 C560.59,32.076 558.924,30.41 556.869,30.41 M541,60.657 C535.114,60.657 530.342,55.887 530.342,50 C530.342,44.114 535.114,39.342 541,39.342 C546.887,39.342 551.658,44.114 551.658,50 C551.658,55.887 546.887,60.657 541,60.657 M541,33.886 C532.1,33.886 524.886,41.1 524.886,50 C524.886,58.899 532.1,66.113 541,66.113 C549.9,66.113 557.115,58.899 557.115,50 C557.115,41.1 549.9,33.886 541,33.886 M565.378,62.101 C565.244,65.022 564.756,66.606 564.346,67.663 C563.803,69.06 563.154,70.057 562.106,71.106 C561.058,72.155 560.06,72.803 558.662,73.347 C557.607,73.757 556.021,74.244 553.102,74.378 C549.944,74.521 548.997,74.552 541,74.552 C533.003,74.552 532.056,74.521 528.898,74.378 C525.979,74.244 524.393,73.757 523.338,73.347 C521.94,72.803 520.942,72.155 519.894,71.106 C518.846,70.057 518.197,69.06 517.654,67.663 C517.244,66.606 516.755,65.022 516.623,62.101 C516.479,58.943 516.448,57.996 516.448,50 C516.448,42.003 516.479,41.056 516.623,37.899 C516.755,34.978 517.244,33.391 517.654,32.338 C518.197,30.938 518.846,29.942 519.894,28.894 C520.942,27.846 521.94,27.196 523.338,26.654 C524.393,26.244 525.979,25.756 528.898,25.623 C532.057,25.479 533.004,25.448 541,25.448 C548.997,25.448 549.943,25.479 553.102,25.623 C556.021,25.756 557.607,26.244 558.662,26.654 C560.06,27.196 561.058,27.846 562.106,28.894 C563.154,29.942 563.803,30.938 564.346,32.338 C564.756,33.391 565.244,34.978 565.378,37.899 C565.522,41.056 565.552,42.003 565.552,50 C565.552,57.996 565.522,58.943 565.378,62.101 M570.82,37.631 C570.674,34.438 570.167,32.258 569.425,30.349 C568.659,28.377 567.633,26.702 565.965,25.035 C564.297,23.368 562.623,22.342 560.652,21.575 C558.743,20.834 556.562,20.326 553.369,20.18 C550.169,20.033 549.148,20 541,20 C532.853,20 531.831,20.033 528.631,20.18 C525.438,20.326 523.257,20.834 521.349,21.575 C519.376,22.342 517.703,23.368 516.035,25.035 C514.368,26.702 513.342,28.377 512.574,30.349 C511.834,32.258 511.326,34.438 511.181,37.631 C511.035,40.831 511,41.851 511,50 C511,58.147 511.035,59.17 511.181,62.369 C511.326,65.562 511.834,67.743 512.574,69.651 C513.342,71.625 514.368,73.296 516.035,74.965 C517.703,76.634 519.376,77.658 521.349,78.425 C523.257,79.167 525.438,79.673 528.631,79.82 C531.831,79.965 532.853,80.001 541,80.001 C549.148,80.001 550.169,79.965 553.369,79.82 C556.562,79.673 558.743,79.167 560.652,78.425 C562.623,77.658 564.297,76.634 565.965,74.965 C567.633,73.296 568.659,71.625 569.425,69.651 C570.167,67.743 570.674,65.562 570.82,62.369 C570.966,59.17 571,58.147 571,50 C571,41.851 570.966,40.831 570.82,37.631\"\u003e\u003c\/path\u003e\u003c\/g\u003e\u003c\/g\u003e\u003c\/g\u003e\u003c\/svg\u003e\u003c\/div\u003e\n\u003cdiv style=\"padding-top: 8px;\"\u003e\n\u003cdiv style=\"color: #3897f0; font-family: Arial,sans-serif; font-size: 14px; font-style: normal; font-weight: 550; line-height: 18px;\"\u003eView this post on Instagram\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"padding: 12.5% 0;\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv style=\"display: flex; flex-direction: row; margin-bottom: 14px; align-items: center;\"\u003e\n\u003cdiv\u003e\n\u003cdiv style=\"background-color: #f4f4f4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(0px) translateY(7px);\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv style=\"background-color: #f4f4f4; height: 12.5px; transform: rotate(-45deg) translateX(3px) translateY(1px); width: 12.5px; flex-grow: 0; margin-right: 14px; margin-left: 2px;\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv style=\"background-color: #f4f4f4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(9px) translateY(-18px);\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"margin-left: 8px;\"\u003e\n\u003cdiv style=\"background-color: #f4f4f4; border-radius: 50%; flex-grow: 0; height: 20px; width: 20px;\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv style=\"width: 0; height: 0; border-top: 2px solid transparent; border-left: 6px solid #f4f4f4; border-bottom: 2px solid transparent; transform: translateX(16px) translateY(-4px) rotate(30deg);\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"margin-left: auto;\"\u003e\n\u003cdiv style=\"width: 0px; border-top: 8px solid #F4F4F4; border-right: 8px solid transparent; transform: translateY(16px);\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv style=\"background-color: #f4f4f4; flex-grow: 0; height: 12px; width: 16px; transform: translateY(-4px);\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv style=\"width: 0; height: 0; border-top: 8px solid #F4F4F4; border-left: 8px solid transparent; transform: translateY(-4px) translateX(8px);\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"display: flex; flex-direction: column; flex-grow: 1; justify-content: center; margin-bottom: 24px;\"\u003e\n\u003cdiv style=\"background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 224px;\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv style=\"background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; width: 144px;\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/a\u003e\n\u003cp style=\"color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; line-height: 17px; margin-bottom: 0; margin-top: 8px; overflow: hidden; padding: 8px 0 7px; text-align: center; text-overflow: ellipsis; white-space: nowrap;\"\u003e\u003ca style=\"color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; font-style: normal; font-weight: normal; line-height: 17px; text-decoration: none;\" href=\"https:\/\/www.instagram.com\/reel\/DJDSdCcPF5h\/?utm_source=ig_embed\u0026amp;utm_campaign=loading\" target=\"_blank\"\u003eA post shared by Noisebug (@noisebug)\u003c\/a\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eEach voice can select its sound from a 48 sample global bank, samples are curated from my own collection of percussion sources  used in my music.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eEach sample can be tuned and has an individual output for independent processing , and there’s also a simple mixer that controls levels to the main mixed output.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eOperation is simple and intuitive, the selected sample is remembered after power down for each of the 4 voices.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eIncoming triggers are displayed on each voice led indicator.\u003c\/span\u003e\u003ca href=\"https:\/\/www.instagram.com\/reel\/DJDSdCcPF5h\/?utm_source=ig_embed\u0026amp;utm_campaign=loading\" style=\"background: #FFFFFF; line-height: 0; padding: 0 0; text-align: center; text-decoration: none; width: 100%;\" target=\"_blank\"\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cdiv style=\"display: flex; flex-direction: row; align-items: center;\"\u003e\n\u003cdiv style=\"display: flex; flex-direction: column; flex-grow: 1; justify-content: center;\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Maneco Labs","offers":[{"title":"Default Title","offer_id":46764868960426,"sku":"","price":399.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0020\/5199\/7743\/files\/Drum4.jpg?v=1746234681"},{"product_id":"error-instruments-liquid-glitcher-bw","title":"Error Instruments - Liquid Glitcher (B\u0026W)","description":"\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/D9g_ZgKYcAc?si=ka3SN-niKfAzOQp-\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLiquid Glitcher — Ultraviolent Experimental Oscillator\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eLiquid Glitcher is a \u003cstrong\u003ehighly experimental Eurorack oscillator\u003c\/strong\u003e designed for glitchy micro-sounds, deep sub-bass, industrial rhythms, and unpredictable textures like vinyl crackle or typewriter clicks. Explore “happy accidents” and discover new sonic sweet spots.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch2\u003eKey Features\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cstrong\u003e2× complex hybrid oscillators\u003c\/strong\u003e (analog + digital)\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cstrong\u003eWave and sub outputs\u003c\/strong\u003e — fully synced for layered sound\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cstrong\u003e2× LFOs\u003c\/strong\u003e — high and low speed modulation\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cstrong\u003e6× clock dividers\u003c\/strong\u003e — trigger or gate input for rhythmic control\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003ePerfect for \u003cstrong\u003eexperimental voices or drum sounds\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003chr\u003e\n\u003cp\u003e\u003cstrong\u003e16 HP compact Eurorack module\u003c\/strong\u003e delivering endless glitch, sub-bass, and industrial textures.\u003c\/p\u003e","brand":"Error Instruments","offers":[{"title":"Default Title","offer_id":46947047014570,"sku":"","price":325.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0020\/5199\/7743\/files\/glitcherbw1.webp?v=1751061101"},{"product_id":"4u-shop-dmwtrs-dual-pulse-sequencer","title":"4U Shop - DMWTRS - Dual Pulse Sequencer [Buchla Compatible]","description":"\u003cdiv class=\"product__description rte quick-add-hidden\"\u003e\n\u003ch2\u003e\u003cstrong\u003eDMWTRS - dual pulse sequencer\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003e4u-B Modular Format\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eDMWTRS stands for \"Dual Man With The Red Steam\" and it is\u003cbr\u003ebased on the sequencer part of the amazing \"Plumbutter\".\u003cbr\u003eIt is a shift register based pulse sequencer, with a clock input, 4 pulse outputs, 8 data outputs and 4 data inputs.\u003cbr\u003ePatching a data output to a data input turns the shift register's output back to it's input, so the sequence is looped, also, this is how you can set the length of the sequence.\u003c\/p\u003e\n\u003cp\u003eThe concept\/idea is based on Peter Blasser's amazing work.\u003cbr\u003e\u003cbr\u003eFeatures:\u003cbr\u003e\u003cbr\u003e- clock input accepts literally any kind of clock or gate\u003cbr\u003e- clock input is converted to pulse, to further use in the system\u003cbr\u003e- 4 pulse outputs on red square banana jacks\u003cbr\u003e- 4 data outputs on white square banana jacks and 4 on violet bananas\u003cbr\u003e- 4 data inputs on white banana jacks\u003cbr\u003e- data inputs accepts (max.) 0-15V voltages\u003cbr\u003e- data outputs are standard 0-15V digital voltages \u003cbr\u003e- push buttons to add (red) or remove (white) bits from the stream\u003cbr\u003e- compatible with 100, 200 and 200e systems\u003cbr\u003e- the modules does not produce (or even use) negative voltages\u003cbr\u003e- black \u0026amp; white printed manual (3 pages...) included\u003cbr\u003e- hand-built, hand numbered\u003cbr\u003e\u003cbr\u003e\u003ca href=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0664\/5635\/5083\/files\/DMWTRS_Manual.pdf?v=1717487319\" rel=\"noopener\" target=\"_blank\"\u003e\u003cspan\u003e...a rather funny \"user manual\" - click to download!\u003c\/span\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003ch6\u003e\u003cspan\u003eThe module uses rare, NOS square banana jacks. Please note, these jacks are not produced anymore, slight discolouration may occur, specially on the white jacks.\u003c\/span\u003e\u003c\/h6\u003e\n\u003c\/div\u003e","brand":"4U Shop","offers":[{"title":"Default Title","offer_id":47247857057962,"sku":null,"price":850.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0020\/5199\/7743\/files\/4uShop.jpg?v=1776732124"},{"product_id":"pittsburgh-modular-osc-v2","title":"Pittsburgh Modular - OSC V2","description":"\u003ctable border=\"0\" width=\"600\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\n\u003cp align=\"RIGHT\"\u003e\u003cspan style=\"font-family: Arial;\"\u003ea wide range, compact, analog vco with a simple but 100% useful feature set. the streamlined oscillator shares the same saw wave oscillator core circuitry as the larger waveforms oscillator module providing it with massive analog triangle, saw, and pulse waves. the oscillator offers 5 octaves of 1 volt per octave tracking, a frequency range starting as low as 7 seconds per cycle, allowing it to double as a reliable voltage controlled lfo, and an attenuated cv input that can be used for linear frequency modulation or pulse width modulation.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003efeatures:\u003c\/strong\u003e\u003cbr\u003esimultaneous triangle, saw, and pulse wave outputs\u003cbr\u003eexcellent logarithmic conformance\u003cbr\u003etemperature compensated 1 volt per octave operation\u003cbr\u003esawtooth wave based oscillator circuit\u003cbr\u003elinear frequency modulation\u003cbr\u003epwm input: 5% to 95%\u003cbr\u003elfo below audio frequency operation\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eoscillator controls:\u003c\/strong\u003e\u003cbr\u003efrequency and fine tune controls - full range sweeping coarse tune and limited range fine tune knobs.\u003cbr\u003ecv input - frequency modulation or pulse width modulation cv input and attenuator.\u003cbr\u003efm\/pw switch - cv input frequency modulation or pulse width modulation destination selector switch.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eoscillator patch points:\u003c\/strong\u003e\u003cbr\u003e1v\/o in - one volt per octave cv input.\u003cbr\u003etriangle wave out - triangle wave output.\u003cbr\u003esaw wave out - saw wave output.\u003cbr\u003epulse wave out - pulse wave output.\u003cbr\u003e\u003cbr\u003esize: 6hp\u003cbr\u003emodule depth: 35mm\u003cbr\u003epower usage: 25ma\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e","brand":"Pittsburgh Modular","offers":[{"title":"Default Title","offer_id":47364406444202,"sku":null,"price":179.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0020\/5199\/7743\/files\/PittOSCv2.jpg?v=1756152496"},{"product_id":"magnetic-freak-boolean-logic-latch","title":"Magnetic Freak - Boolean Logic Latch [Eurorack]","description":"\u003cp\u003eThis is clearly the companion module of the Gaussian to generate rhythmic patterns and much more. It can nevertheless be used alone to build up complex IDM (Intelligent Dance Music) rhythmic patterns from a single ticking clock. Two stages of Boolean logic operators are cascaded allowing all kinds of operations between the incoming signals.\u003cbr\u003eThe latching function let you use a dedicated clock to latch the status of all gates on the arrival of a trigger signal up to the new one (or using the push button). It could be used to re-synchronises random signals. This module is fully analog and can work up to audio rates with no latency.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Magnetic Freak","offers":[{"title":"Default Title","offer_id":47509076902058,"sku":null,"price":599.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0020\/5199\/7743\/files\/BooleanLogicLatch.jpg?v=1759957982"},{"product_id":"error-instruments-error-mixer","title":"Error Instruments - Error Mixer","description":"\u003cp\u003eMeet the Feedback Mixer — a five-input mixer with a twist.\u003c\/p\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/WWW2BoMOUOU?si=T5LXwI9T97RgQYyL\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eError Mixer — Chaos-Driven Compact Mixer\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAt first glance, Error Mixer looks like a small mixer — but it hides \u003cstrong\u003ewild feedback capabilities\u003c\/strong\u003e. An extra high-gain output lets you create \u003cstrong\u003edistortion, bit-crushed textures, and self-oscillating soundscapes\u003c\/strong\u003e. Blend it with other sources for chaotic drums, Acid basslines, or noisy textures.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch2\u003eKey Features\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cstrong\u003e6HP compact size\u003c\/strong\u003e — small but powerful\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cstrong\u003eHigh-gain feedback output\u003c\/strong\u003e for extreme sound experiments\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eAdds \u003cstrong\u003edistortion, noise, and texture\u003c\/strong\u003e to any signal\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eAffordable and \u003cstrong\u003efun for creative sound design\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003chr\u003e\n\u003cp\u003eError Mixer turns a simple mix into a playground of \u003cstrong\u003echaos, grit, and evolving sonic madness\u003c\/strong\u003e.\u003c\/p\u003e","brand":"Error Instruments","offers":[{"title":"Default Title","offer_id":47630539980970,"sku":null,"price":99.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0020\/5199\/7743\/files\/mixer-1.jpg?v=1763164533"},{"product_id":"error-instruments-soundscaper-ldr-gold","title":"Error Instruments - Soundscaper LDR Gold","description":"\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/J9_csmiX81c?si=shm9X8BBS7lTZ6Wz\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp data-start=\"0\" data-end=\"31\"\u003e\u003cstrong data-start=\"0\" data-end=\"31\"\u003eLimited Edition Synthesizer\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"33\" data-end=\"215\"\u003eThis experimental synthesizer is a \u003cstrong data-start=\"68\" data-end=\"99\"\u003elimited edition of 25 units\u003c\/strong\u003e, hand-made in Amsterdam. It is designed for creating deep soundscapes, layered harmonies, and atmospheric textures.\u003c\/p\u003e\n\u003cp data-start=\"217\" data-end=\"345\"\u003eThe instrument focuses on exploring rich low-end tones and discovering musical “sweet spots” through modulation and interaction.\u003c\/p\u003e\n\u003chr data-start=\"347\" data-end=\"350\"\u003e\n\u003ch2 data-section-id=\"1ma7m6t\" data-start=\"352\" data-end=\"367\"\u003eKey Features\u003c\/h2\u003e\n\u003cul data-start=\"368\" data-end=\"591\"\u003e\n\u003cli data-section-id=\"ffm9vm\" data-start=\"368\" data-end=\"404\"\u003e\n\u003cp data-start=\"370\" data-end=\"404\"\u003e\u003cstrong data-start=\"370\" data-end=\"404\"\u003eLimited edition — only 25 made\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-section-id=\"1lhu5om\" data-start=\"405\" data-end=\"460\"\u003e\n\u003cp data-start=\"407\" data-end=\"460\"\u003eDesigned for \u003cstrong data-start=\"420\" data-end=\"460\"\u003edeep soundscapes and harmonic layers\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-section-id=\"jb4sk8\" data-start=\"461\" data-end=\"503\"\u003e\n\u003cp data-start=\"463\" data-end=\"503\"\u003e\u003cstrong data-start=\"463\" data-end=\"479\"\u003e3× CV inputs\u003c\/strong\u003e for external modulation\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-section-id=\"14r2a3g\" data-start=\"504\" data-end=\"531\"\u003e\n\u003cp data-start=\"506\" data-end=\"531\"\u003e\u003cstrong data-start=\"506\" data-end=\"531\"\u003eBuilt-in harmonic LFO\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-section-id=\"11fcrrl\" data-start=\"532\" data-end=\"591\"\u003e\n\u003cp data-start=\"534\" data-end=\"591\"\u003e\u003cstrong data-start=\"534\" data-end=\"559\"\u003eVintage 1957 tube LDR\u003c\/strong\u003e for unique light-based response\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003chr data-start=\"593\" data-end=\"596\"\u003e\n\u003ch2 data-section-id=\"1xwa4r9\" data-start=\"598\" data-end=\"605\"\u003eUses\u003c\/h2\u003e\n\u003cul data-start=\"606\" data-end=\"770\"\u003e\n\u003cli data-section-id=\"hqrdco\" data-start=\"606\" data-end=\"655\"\u003e\n\u003cp data-start=\"608\" data-end=\"655\"\u003eCreating \u003cstrong data-start=\"617\" data-end=\"655\"\u003eambient and cinematic sound design\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-section-id=\"rea2ez\" data-start=\"656\" data-end=\"713\"\u003e\n\u003cp data-start=\"658\" data-end=\"713\"\u003eAdding \u003cstrong data-start=\"665\" data-end=\"713\"\u003eatmosphere to guitar pedals or effect chains\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-section-id=\"1n06bc8\" data-start=\"714\" data-end=\"770\"\u003e\n\u003cp data-start=\"716\" data-end=\"770\"\u003eProducing \u003cstrong data-start=\"726\" data-end=\"770\"\u003etextures for film and experimental music\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003chr data-start=\"772\" data-end=\"775\"\u003e\n\u003cp data-start=\"777\" data-end=\"896\" data-is-last-node=\"\" data-is-only-node=\"\"\u003eA rare instrument designed for musicians and sound designers looking for \u003cstrong data-start=\"850\" data-end=\"896\" data-is-last-node=\"\"\u003edeep, atmospheric, and experimental sound.\u003c\/strong\u003e\u003c\/p\u003e","brand":"Error Instruments","offers":[{"title":"Default Title","offer_id":47630579695786,"sku":null,"price":299.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0020\/5199\/7743\/files\/soundscaperldr-1.jpg?v=1763165285"},{"product_id":"error-instruments-solar-installation","title":"Error Instruments - Solar Installation","description":"\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/H25It7sbJtk?si=z0erQw5XCLPDe6PV\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp data-start=\"0\" data-end=\"22\"\u003e\u003cstrong data-start=\"0\" data-end=\"22\"\u003eSolar Installation\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"24\" data-end=\"233\"\u003eSolar Installation is an experimental synthesizer that blends sound, light, and interaction. Using a patch bay, light sensors, and evolving oscillators, it creates shifting textures and generative soundscapes.\u003c\/p\u003e\n\u003cp data-start=\"235\" data-end=\"330\"\u003eIt works like a small interactive sound installation, where light and patching shape the music.\u003c\/p\u003e\n\u003chr data-start=\"332\" data-end=\"335\"\u003e\n\u003ch2 data-section-id=\"1ma7m6t\" data-start=\"337\" data-end=\"352\"\u003eKey Features\u003c\/h2\u003e\n\u003cul data-start=\"353\" data-end=\"651\"\u003e\n\u003cli data-section-id=\"xyz1cr\" data-start=\"353\" data-end=\"398\"\u003e\n\u003cp data-start=\"355\" data-end=\"398\"\u003e\u003cstrong data-start=\"355\" data-end=\"372\"\u003e4 oscillators\u003c\/strong\u003e with evolving harmonics\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-section-id=\"sfxnrs\" data-start=\"399\" data-end=\"458\"\u003e\n\u003cp data-start=\"401\" data-end=\"458\"\u003e\u003cstrong data-start=\"401\" data-end=\"414\"\u003ePatch bay\u003c\/strong\u003e for exploring different sound connections\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-section-id=\"st91dm\" data-start=\"459\" data-end=\"594\"\u003e\n\u003cp data-start=\"461\" data-end=\"486\"\u003e\u003cstrong data-start=\"461\" data-end=\"484\"\u003eDual control modes:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul data-start=\"489\" data-end=\"594\"\u003e\n\u003cli data-section-id=\"g4jtoo\" data-start=\"489\" data-end=\"532\"\u003e\n\u003cp data-start=\"491\" data-end=\"532\"\u003e\u003cstrong data-start=\"491\" data-end=\"507\"\u003eKnob control\u003c\/strong\u003e for precise adjustment\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-section-id=\"1f3k3d7\" data-start=\"535\" data-end=\"594\"\u003e\n\u003cp data-start=\"537\" data-end=\"594\"\u003e\u003cstrong data-start=\"537\" data-end=\"561\"\u003eLight sensor control\u003c\/strong\u003e reacting to movement and light\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli data-section-id=\"luft9b\" data-start=\"595\" data-end=\"651\"\u003e\n\u003cp data-start=\"597\" data-end=\"651\"\u003e\u003cstrong data-start=\"597\" data-end=\"617\"\u003eBuilt-in effects\u003c\/strong\u003e with lo-fi delay and modulation\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003chr data-start=\"653\" data-end=\"656\"\u003e\n\u003ch2 data-section-id=\"rzkdgm\" data-start=\"658\" data-end=\"669\"\u003eOverview\u003c\/h2\u003e\n\u003cul data-start=\"670\" data-end=\"853\"\u003e\n\u003cli data-section-id=\"11q2ccp\" data-start=\"670\" data-end=\"724\"\u003e\n\u003cp data-start=\"672\" data-end=\"724\"\u003eCreates \u003cstrong data-start=\"680\" data-end=\"722\"\u003egenerative and evolving sound textures\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-section-id=\"16mml3w\" data-start=\"725\" data-end=\"787\"\u003e\n\u003cp data-start=\"727\" data-end=\"787\"\u003eEncourages discovery of \u003cstrong data-start=\"751\" data-end=\"785\"\u003eunexpected sonic “sweet spots”\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-section-id=\"11s5s9p\" data-start=\"788\" data-end=\"853\"\u003e\n\u003cp data-start=\"790\" data-end=\"853\"\u003eWorks as both a \u003cstrong data-start=\"806\" data-end=\"853\"\u003esynthesizer and interactive sound sculpture\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003chr data-start=\"855\" data-end=\"858\"\u003e\n\u003cp data-start=\"860\" data-end=\"872\"\u003e\u003cstrong data-start=\"860\" data-end=\"872\"\u003eIncludes\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul data-start=\"873\" data-end=\"921\" data-is-last-node=\"\" data-is-only-node=\"\"\u003e\n\u003cli data-section-id=\"kc4tpn\" data-start=\"873\" data-end=\"899\"\u003e\n\u003cp data-start=\"875\" data-end=\"899\"\u003eUSB-C power connection\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-section-id=\"1jj338f\" data-start=\"900\" data-end=\"921\" data-is-last-node=\"\"\u003e\n\u003cp data-start=\"902\" data-end=\"921\" data-is-last-node=\"\"\u003e\u003cstrong data-start=\"902\" data-end=\"921\" data-is-last-node=\"\"\u003e4× patch cables\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003esee demo\u003c\/p\u003e","brand":"Error Instruments","offers":[{"title":"Default Title","offer_id":47630583136426,"sku":null,"price":465.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0020\/5199\/7743\/files\/solarinstall-1.jpg?v=1763165377"},{"product_id":"audio-damage-proton","title":"Audio Damage - Proton","description":"\u003ctable width=\"600\" style=\"margin-left: 0px; margin-right: auto;\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\n\u003cp align=\"RIGHT\"\u003e\u003cspan style=\"font-family: Arial;\"\u003eproton is audio damage's take on the classic karplus-strong tuned delay line physical modelling synthesis. take a capable \"vintage digital\" style delay line with 1v\/oct clocking, and add an enveloped noise burst, and you have a plucked string physical model. we wrap this up in some of our standard audio damage aural hijinks, and proton is the result.\u003cbr\u003e\u003cbr\u003estarting with the delay line, which is \"tuned\" via the coarse and fine tune knobs, we then add a quality low pass filter (modelled on the ms20's lpf) and damping circuits. we hit this with a noise burst from an analog random number generator that passes through two more filters and an envelope with decay to produce the plucked sound. a \"choke\" input empties the delay line, for extra dynamic control.\u003cbr\u003e\u003cbr\u003esince karplus-strong synthesis lacks bottom in general, we have a \"sub\" control that adds a sine at the fundamental frequency to produce gut-churning low end in the bass register. the result is a physical model synth that is capable of both delicate harp-like plucks and monster face-melting basslines.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003efeatures:\u003c\/strong\u003e\u003cbr\u003eproton is a dsp-based module that runs at 48khz sample rate and 24 bit depth, via a high quality cirrus-logic codec.\u003cbr\u003ethe pitch control sets the delay time, while the fine tune knob provides further control. the pitch input responds to 1v\/oct.\u003cbr\u003ethe damping control is the corner frequency of an ms20-style low pass filter in the feedback path of the delay.\u003cbr\u003ethe decay control is an additional feedback amount control, not normally found in ks synthesis. this enables bright tones with short decays.\u003cbr\u003ethe imp filter controls a pair of filters on the noise burst impulse. at 12 o'clock there is no filtering. anti-clockwise controls the corner frequency of a low pass filter, and clockwise the same for a high pass. this controls the timbre of the impulse, and the resulting pluck.\u003cbr\u003ethe imp decay control sets the release time of the noise burst's envelope. this results in a heavily colored pluck.\u003cbr\u003ethe sub knob controls the level of a sine wave, the frequency of which is set by the pitch and fine tune controls. this allows a false low end, normally missing from low-pitched karplus-strong plucks.\u003cbr\u003ethe mix knob controls the wet\/dry mix (if using the audio input) or the level (if using the internal impulse.) both the internal impulse and the input can be used simultaneously.\u003cbr\u003emanual and trigger fire the internal impulse. choke closes the decay value, and this is not reset until a new trigger is received.\u003cbr\u003eproton can be used as a normal delay with the input; the damping, decay, and mix control the level, while pitch sets the delay time.\u003cbr\u003eevery control has a cv input that accepts +\/-5v. panel controls are sampled at low audio rates (approximately 35hz), and have further internal lag processing for smooth parameter changes.\u003cbr\u003eusb port (on the backplane) for easy firmware updates.\u003cbr\u003ehigh-quality 100% made in the usa construction, including panel-bolted 100,000-cycle bi potentiometers and custom stamped rogan knobs.\u003cbr\u003epower draw is 50ma from the +12v rail and 9ma from the -12v rail. this module has an on-board regulator and does not require +5v. module width is 12hp. module depth is 25mm.\u003cbr\u003eproton, like all audio damage hardware products, includes our lifetime unconditional warranty.\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e","brand":"Audio Damage","offers":[{"title":"Default Title","offer_id":48052226195626,"sku":null,"price":325.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0020\/5199\/7743\/files\/Proton.jpg?v=1772078327"},{"product_id":"error-instruments-system-15-dark-cinematic","title":"Error Instruments - System 15 Dark Cinematic","description":"\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/WasK6wrXpwU?si=BgoDQ3rnjF5nS9Zg\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eSystem 15 Dark Cinematic Concept:\u003c\/p\u003e\n\u003cp\u003e• Physical modeling modules\u003c\/p\u003e\n\u003cp\u003e• Analog pulse circuits\u003c\/p\u003e\n\u003cp\u003e• Granular and spectral engines\u003c\/p\u003e\n\u003cp\u003e• Electro-acoustic feedback loops\u003c\/p\u003e\n\u003cp\u003e• Design Philosophy \/ Nature x Technology\u003c\/p\u003e\n\u003cp\u003e• Art x Function: Each module doubles as a sculptural object\u003c\/p\u003e\n\u003cp\u003e• Installation Aesthetic: Instrument or generative art piece?\u003c\/p\u003e\n\u003cp\u003e• Interaction Modes: hands-on modular patching or autonomous installation mode.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eModules Included:\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cstrong\u003eTop Row\u003c\/strong\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eCloud Busting\u003c\/p\u003e\n\u003cp\u003eGlow LFO\u003c\/p\u003e\n\u003cp\u003eDie Antwoord Apparaat\u003c\/p\u003e\n\u003cp\u003eThe Ballerina\u003c\/p\u003e\n\u003cp\u003eSound Scaper 4CV\u003c\/p\u003e\n\u003cp\u003eClockwork Orange\u003c\/p\u003e\n\u003cp\u003eLiquid Voice\u003c\/p\u003e\n\u003cp\u003eRadiophonic Workshop\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cstrong\u003eBottom Row\u003c\/strong\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eKlok Block\u003c\/p\u003e\n\u003cp\u003eLucifer\u003c\/p\u003e\n\u003cp\u003eSingularity\u003c\/p\u003e\n\u003cp\u003ekHarper\u003c\/p\u003e\n\u003cp\u003eKorsakov\u003c\/p\u003e\n\u003cp\u003eIndian Resonator\u003c\/p\u003e\n\u003cp\u003eWhite Rabbit\u003c\/p\u003e\n\u003cp\u003eError Mixer\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eHandcrafted, powered wood case with USA power supply\u003c\/p\u003e\n\u003cp\u003ePatch Cables\u003c\/p\u003e","brand":"Error Instruments","offers":[{"title":"Default Title","offer_id":48070753419434,"sku":null,"price":3950.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0020\/5199\/7743\/files\/errorSystem_blk_bkgnd.jpg?v=1772908676"},{"product_id":"error-instruments-micro-doser-lomp-eurorack","title":"Error Instruments - Micro Doser LOMP [Eurorack]","description":"\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/CM4EiwcRGVs?si=S_x2Lon0hMPnPWzI\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cstrong\u003eMicro Doser LOMP\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003e\u003c\/b\u003e– Eurorack Sound Source (Limited Edition)\u003c\/p\u003e\n\u003cp\u003eThe Micro Doser is a raw and expressive Eurorack sound source designed for drums, noise textures, and experimental oscillator work. Compact but powerful, it invites hands-on interaction and unconventional patching.\u003c\/p\u003e\n\u003cp\u003eAt its core, Micro Doser features a unique noise-based engine with fine micro-sparkle textures. It can range from aggressive, gritty noise to ultra-sensitive, ASMR-like sonic detail. Perfect for percussion, glitches, textures, and unstable oscillator tones.\u003c\/p\u003e\n\u003cp\u003eThe built-in lo-pass gate allows you to shape percussive sounds instantly, use a trigger for tight drum hits or use a gate for longer, evolving tones. This makes Micro Dozer equally at home as a drum voice or experimental sound generator.\u003c\/p\u003e\n\u003cp\u003eMicro Doser is designed to be touched and played:\u003c\/p\u003e\n\u003cp\u003e• Two switches activate light-sensitive sensors that control oscillator offset\u003c\/p\u003e\n\u003cp\u003e• Touch interaction under the switches alters the sound in organic ways\u003c\/p\u003e\n\u003cp\u003e• Patch directly into the touch points for external influence\u003c\/p\u003e\n\u003cp\u003e• Fully CV controllable\u003c\/p\u003e\n\u003cp\u003eThe large knobs are extremely sensitive — even the smallest movement creates significant sonic changes. The parameters are interdependent, encouraging exploration and performance-based tweaking.\u003c\/p\u003e\n\u003cp\u003eFor even more interaction, you can stretch an elastic band between the knobs to manipulate multiple parameters at once, creating complex evolving modulations.\u003c\/p\u003e\n\u003cp\u003ePerformance-Oriented Design, highly responsive controls, CV control over key parameters, designed for live experimentation, raw and unpredictable character.\u003c\/p\u003e\n\u003cp\u003eCheck out the demonstration video to hear the full range of textures and performance possibilities.\u003c\/p\u003e","brand":"Error Instruments","offers":[{"title":"Default Title","offer_id":48119983702186,"sku":null,"price":199.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0020\/5199\/7743\/files\/lompe1.png?v=1773707293"},{"product_id":"error-instruments-data-synth-mk2-1","title":"Error Instruments - Data Synth mk2","description":"\u003cp\u003e\u003cstrong\u003e\u003cspan data-video-id=\"2Q8kRSzmXRI\" data-video-params=\"\" data-video-width=\"560\" data-video-height=\"315\" class=\"react-youtube-wrapper\"\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube-nocookie.com\/embed\/2Q8kRSzmXRI\" class=\"youtube-player-iframe\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eData Synth mk2 \u003c\/strong\u003e- the bar code\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e70 circuit bending influenced algorithms \u003c\/span\u003e\u003cspan\u003einspired by game sounds and noises (\u003c\/span\u003e\u003cspan\u003eand there is a lot of different sounds in there).\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eWorks on 5v mini USB cable, \u003c\/span\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003eyou can use it standalone tabletop or like a game console - just play around and find your sweet spots!\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIs the machine freeze normal? Yes - real time circuit bending!\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eBy using the switches you arecircuit bending in real time, not changing a programmable function. That means you can get really strange spots but also it can freeze or stay in a loop. If it freezes don't worry, you can just turn the power off and back on making sure the switches in the middle are down.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe new data synth is not so much different than the other one. It’s a different design and it has a back panel of polished aluminum that feels really solid.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eImportant: \u003c\/strong\u003ebest plugged into a mixer\/interface rather than plugging headphones straight in (it’s loud!)\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Error Instruments","offers":[{"title":"Default Title","offer_id":48120040226986,"sku":null,"price":140.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0020\/5199\/7743\/files\/data1.jpg?v=1773709547"},{"product_id":"error-instruments-spikes","title":"Error Instruments - Spikes","description":"\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/yBc8C0CALtg?si=79Yy0MK-aeAiIMvz\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSPIKES - 15 Years of Error \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSpikes is one of the earliest Eurorack-inspired instruments, born 15 years ago - back when the modular world was still small, led by pioneers like Doepfer and a handful of boutique makers. While many brands moved toward mainstream retail, Paul Tas of Error Instruments chose a different path: staying underground, raw, and experimental. \u003c\/span\u003e\u003cspan\u003eRooted in noise, dark techno, and avant-garde traditions inspired by Warp Records and musique concrète, Spikes remains true to its origins - focused on creativity over convention.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eNow, 15 years later, a new version is here. Spikes (Anniversary Edition) is a standalone analog instrument, expanded with a built-in delay FX processor that can also be used independently. It introduces a unique hybrid interaction: conductive touch, light sensor control, and hands-on manipulation come together to create unpredictable, expressive soundscapes. \u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003eSix conductive spikes allow touch-based sound shaping \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eCentral mixing area blends signals into evolving textures \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eOscillator controls (potentiometers) generate and manipulate tone \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eDual middle controls adjust delay feedback and time - from short to endless \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eLight sensor adds performative modulation (switchable on\/off) \u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan\u003eThis instrument thrives in chaos - perfect for glitchy rhythms, skipping textures, noise explorations, and cinematic sonic journeys. As a fully analog device, it requires a bit of tuning and exploration, rewarding hands-on experimentation. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAvailable in silver and gold, this is a strictly limited edition of 50 units, all handmade in the Netherlands. Release: Superbooth 2026, Berlin Availability: One-time release only For demonstrations and deeper insight, watch the video and explore the user manual. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSpikes is not just an instrument - it’s a statement.\u003c\/span\u003e\u003c\/p\u003e","brand":"Error Instruments","offers":[{"title":"Silver","offer_id":48378724876458,"sku":null,"price":399.0,"currency_code":"USD","in_stock":true},{"title":"Gold","offer_id":48378724909226,"sku":null,"price":399.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0020\/5199\/7743\/files\/spike-silv-1.jpg?v=1780700601"},{"product_id":"arcane-devices-caress-of-stars-1u-module","title":"Arcane Devices - Caress of Stars 1U Module","description":"\u003cdiv\u003e\n\u003cp\u003e\u003cstrong\u003eCaress of Stars\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eis fully featured, compact Eurorack sequencer in a novel, playable format. It features both tactile buttons, as well as a precise touch strip. It's a Eurorack native, with a combination of functions that fit working with continuous voltages and atonal music, x0x style gate patterns as well as traditional note events. It's perfect as a main brain for a small case, with expansion capability that will let it grow into a central control point for a large system. With an optional stand-alone enclosure CoS can also work with a case that has no 1U capability or a semi-modular synth.\u003ca rel=\"noopener\" href=\"https:\/\/www.youtube.com\/playlist?list=PLO3mZgW8Lp_1_imTC_LddDCXxO7jr4YMK\"\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cdiv data-video=\"embed\"\u003e\u003ciframe width=\"100%\" height=\"100%\" data-airgap-id=\"59\" src=\"https:\/\/www.youtube.com\/embed\/RvHCyYfXNNM?autohide=1\u0026amp;controls=1\u0026amp;showinfo=0\"\u003e\u003c\/iframe\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003ch3\u003eSpecs at a glance\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e48HP, Intellijel-compatible 1U, standalone option\u003c\/li\u003e\n\u003cli\u003e4 built-in channels with expansion capacity\u003c\/li\u003e\n\u003cli\u003eCV, gate and combined CV+gate modes per channel\u003c\/li\u003e\n\u003cli\u003e4 pages of 16 steps, for a total of 64 steps\u003c\/li\u003e\n\u003cli\u003eLive recording, step editing, x0x style gate programming\u003c\/li\u003e\n\u003cli\u003eTrigger probability and conditions\u003c\/li\u003e\n\u003cli\u003eContinuous or quantized CV input\u003c\/li\u003e\n\u003cli\u003eLooping\u003c\/li\u003e\n\u003cli\u003eQuick save\/recall\u003c\/li\u003e\n\u003cli\u003eAdjustable 1-5 octave range\u003c\/li\u003e\n\u003cli\u003eInternal or external clock\u003c\/li\u003e\n\u003cli\u003eQuick mute and arm-then-apply mute\u003c\/li\u003e\n\u003cli\u003ePer-channel clock division\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e...and more coming as Arcane Devices keep developing the firmware.\u003c\/p\u003e\n\u003ch3\u003eWhat makes it special\u003c\/h3\u003e\n\u003cp\u003eThe biggest distinguishing factor between Caress and other sequencers is the high precision touch strip, which, for us, feels like the most natural, quick and fun way to play out your CVs. It's especially great for note ties\/glides, or when used without a clock, as a touch controller. Of course, to serve as a main sequencer, it does also have all the features you'd expect: CV values can be quantized to scales, each channel can easily be muted, a looper feature lets you loop specific part of the sequence (again, super fun to do with touch strip!), you can set different clock divisions and sequence lengths per channel. Arcane Devices keep building more features and intend to do so beyond the release.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTechnical specifications\u003c\/strong\u003e\u003cbr\u003eHeight: Intellijel-compatible 1U\u003cbr\u003eWidth: 48 HP\u003cbr\u003eDepth: 23mm\u003cbr\u003ePower: 35mA typical, 100mA peak @ +12V, 0 @ -12V, 0 @ +5V\u003cbr\u003eOutput voltage: 0-5V\u003cbr\u003eUpdate rate: 1kHz\u003c\/p\u003e","brand":"Arcane Devices","offers":[{"title":"Default Title","offer_id":48808036368554,"sku":null,"price":399.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0020\/5199\/7743\/files\/caress1.webp?v=1784147106"},{"product_id":"catalyst-audio-mig-bundle","title":"Catalyst Audio - MIG Bundle","description":"\u003cp\u003eThe Catalyst Audio MIG Bundle includes one of each of the brand new MIG series Modules. The bundle includes:\u003c\/p\u003e\n\u003cp\u003e1x MIG VCO\u003cbr\u003e1x MIG VCF\u003cbr\u003e1x MIG VCA\u003cbr\u003e1x MIG THRUSTER\u003cbr\u003e1x MIG VCA\u003c\/p\u003e","brand":"Catalyst Audio","offers":[{"title":"Default Title","offer_id":49012743536810,"sku":null,"price":1945.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0020\/5199\/7743\/files\/CatalystAudioBundle.jpg?v=1785962293"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0020\/5199\/7743\/collections\/BigSale_IG.jpg?v=1791997122","url":"https:\/\/www.noisebug.live\/collections\/big-sale.oembed","provider":"Noisebug","version":"1.0","type":"link"}